Short Questions and answers of Sonnet 73 - WBCHSE Class XII

Short Questions and answers of Sonnet 73 - WBCHSE Class XII
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Sonnet 73: Short Q&A

WBCHSE Class XII | Semester 4

By PKG SIR | www.pkgway.in
Q: What is the rhyme scheme used in the poem?
[āĻ•āĻŦিāϤাāϟিāϤে āĻ•ী āĻĒ্āϰāĻ•াāϰ āĻŽিāϞāĻŦিāύ্āϝাāϏ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻ›ে?]
Ans. The rhyme scheme used in the poem follows the traditional structure of a Shakespearean sonnet, such as ABAB CDCD EFEF GG.
[āĻ•āĻŦিāϤাāϟিāϤে āĻļেāĻ•্āϏāĻĒিāϝ়āϰেāϰ āϏāύেāϟেāϰ āĻĒ্āϰāĻĨাāĻ—āϤ āĻŽিāϞāĻŦিāύ্āϝাāϏ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻ›ে āϝা āĻšāϞ āĻāĻŦিāĻāĻŦি āϏিāĻĄিāϏিāĻĄি āχāĻāĻĢāχāĻāĻĢ āϜিāϜি।]
Q: How does the speaker describe the coming of the night?
[āĻŦāĻ•্āϤা āϰাāϤেāϰ āφāĻ—āĻŽāύেāϰ āĻŦāϰ্āĻŖāύা āĻ•ীāĻ­াāĻŦে āĻĻিāϝ়েāĻ›েāύ?]
Ans. The speaker describes the coming of the night as the "black night" that takes the light after the sunset. This represents the finality of death, enveloping all that was once vibrant.
[āĻŦāĻ•্āϤা āϰাāϤেāϰ āφāĻ—āĻŽāύāĻ•ে "āĻ•াāϞো āϰাāϤ" āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻ•āϰেāĻ›েāύ, āϝা āϏূāϰ্āϝাāϏ্āϤেāϰ āĻĒāϰ āφāϞোāĻ•ে āĻ—্āϰাāϏ āĻ•āϰে। āĻāϟি āĻŽৃāϤ্āϝু āĻ“ āϚূāĻĄ়াāύ্āϤ āĻ…āĻŦāϏাāύেāϰ āĻĒ্āϰāϤীāĻ•, āϝা āĻāĻ• āϏāĻŽāϝ়েāϰ āωāϜ্āϜ্āĻŦāϞāϤাāĻ•ে āφāϚ্āĻ›াāĻĻিāϤ āĻ•āϰে āĻĢেāϞে।]
Q: Describe the image of the glowing embers.
[āϜ্āĻŦāϞāύ্āϤ āĻ…āĻ™্āĻ—াāϰেāϰ āϚিāϤ্āϰāϟি āĻŦ্āϝাāĻ–্āϝা āĻ•āϰো।]
Ans. The glowing embers represent the fading remains of life and vitality. The spirit of youth is now diminishing and leaving nothing but embers.
[āϜ্āĻŦāϞāύ্āϤ āĻ…āĻ™্āĻ—াāϰ āϜীāĻŦāύেāϰ āύিāĻ­ে āφāϏা āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϰ āĻĻ্āϝোāϤāĻ•। āϝৌāĻŦāύেāϰ āĻĻীāĻĒ্āϤি āĻāĻ–āύ āĻĒ্āϰাāϝ় āύিāĻ­ে āφāϏāĻ›ে, āϰেāĻ–ে āϝাāϚ্āĻ›ে āĻļুāϧুāĻŽাāϤ্āϰ āĻ…āĻ™্āĻ—াāϰ।]
Q: What season does the speaker compare himself to in the first quatrain of the poem, 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻ•োāύ āĻ‹āϤুāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ?]
Ans. In the first quatrain of 'Sonnet 73', the speaker compares himself to autumn, a time with yellowing leaves and bare branches symbolizing ageing and passage of time and suggesting that his life is in later ages.
["Sonnet 73" āĻ•āĻŦিāϤাāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻļāĻ°ā§Ž āĻ‹āϤুāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ। āĻļāĻ°ā§ŽāĻ•াāϞ āĻšāϞ āĻāĻŽāύ āĻāĻ•āϟি āϏāĻŽāϝ়, āϝāĻ–āύ āĻ—াāĻ›েāϰ āĻĒাāϤা āĻšāϞāĻĻে āĻšāϝ়ে āϝাāϝ় āĻāĻŦং āĻĄাāϞāĻĒাāϞা āĻļূāύ্āϝ āĻĨাāĻ•ে—āĻāϟি āĻŦাāϰ্āϧāĻ•্āϝ āĻ“ āϏāĻŽāϝ়েāϰ āĻ…āϤিāĻ•্āϰāĻŽāĻŖেāϰ āĻĒ্āϰāϤীāĻ•। āĻāχ āϤুāϞāύাāϰ āĻŽাāϧ্āϝāĻŽে āĻŦāĻ•্āϤা āĻŦোāĻাāύ āϝে āϤাঁāϰ āϜীāĻŦāύ āĻāĻ–āύ āĻļেāώ āĻĒāϰ্āĻŦে, āĻ…āϰ্āĻĨাā§Ž āĻŦাāϰ্āϧāĻ•্āϝেāϰ āĻĻিāĻ•ে āĻāĻ—োāϚ্āĻ›ে।]
Q: Describe the speaker's emotional state in Sonnet 73.
[āϏāύেāϟে ā§­ā§Š-āĻ āĻŦāĻ•্āϤাāϰ āĻŽাāύāϏিāĻ• āĻ…āĻŦāϏ্āĻĨা āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker's emotional state is melancholic, reflective, and introspective, with a sense of acceptance and resignation.
[āĻŦāĻ•্āϤাāϰ āĻŽাāύāϏিāĻ• āĻ…āĻŦāϏ্āĻĨা āĻŦিāώāĻŖ্āĻŖ, āϚিāύ্āϤাāĻļীāϞ āĻāĻŦং āφāϤ্āĻŽāĻĻāϰ্āĻļāύāĻŽূāϞāĻ•, āϝাāϰ āĻŽāϧ্āϝে āĻ—্āϰāĻšāĻŖāϝোāĻ—্āϝāϤা āĻāĻŦং āφāϤ্āĻŽāϤ্āϝাāĻ—েāϰ āĻ…āύুāĻ­ূāϤি āϰāϝ়েāĻ›ে।]
Q: What does the poet mean by the line "That on the ashes of his youth doth lie"?
[āϞাāχāύāϟিāϰ āĻŽাāϧ্āϝāĻŽে āĻ•āĻŦি āĻ•ী āĻŦোāĻাāϤে āϚেāϝ়েāĻ›েāύ?]
Ans. This line means that the speaker's remaining vitality lies on the ashes of his youth which is now fading like a dying fire.
[āĻāχ āϞাāχāύāϟিāϰ āĻŽাāϧ্āϝāĻŽে āĻŦোāĻাāύো āĻšāϝ়েāĻ›ে āϝে āĻŦāĻ•্āϤাāϰ āĻ…āĻŦāĻļিāώ্āϟ āĻĒ্āϰাāĻŖāĻļāĻ•্āϤি āϤাāϰ āϝৌāĻŦāύেāϰ āĻ›াāχāϝ়েāϰ āωāĻĒāϰ āĻ…āĻŦāϏ্āĻĨিāϤ, āϝা āĻāĻ–āύ āĻāĻ•āϟি āύিāĻ­ে āϝাāĻ“āϝ়া āφāĻ—ুāύেāϰ āĻŽāϤো āĻ•্āώীāĻŖ āĻšāϝ়ে āφāϏāĻ›ে।]
Q: What time of the day does the speaker compare himself to?
[āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻĻিāύেāϰ āĻ•োāύ āϏāĻŽāϝ়েāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ?]
Ans. The speaker compares himself to twilight, the time just after sunset. This metaphor signifies the waning light of life, with darkness (death) approaching indicating his life's ending stage.
[āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āϏূāϰ্āϝাāϏ্āϤেāϰ āĻ িāĻ• āĻĒāϰেāϰ āϏāĻŽāϝ় āĻ…āϰ্āĻĨাā§Ž āĻ—োāϧূāϞিāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ। āĻāχ āϰূāĻĒāĻ•āϟি āϜীāĻŦāύেāϰ āĻ…āĻŦāϏাāύāĻ•াāϞ āĻŦোāĻাāϤে āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻ›ে, āϝেāĻ–াāύে āφāϞোāĻ•েāϰ āĻ•্āώāϝ় āĻ“ āĻ…āύ্āϧāĻ•াāϰেāϰ āφāĻ—āĻŽāύ (āĻŽৃāϤ্āϝু) āĻĒ্āϰāϤিāĻĢāϞিāϤ āĻšāϝ়। āĻāϟি āϤাāϰ āϜীāĻŦāύেāϰ āĻļেāώ āĻĒāϰ্āϝাāϝ়āĻ•ে āχāĻ™্āĻ—িāϤ āĻ•āϰে।]
Q: Describe the use of personification in the sonnet.
[āϏāύেāϟে āĻŦāϰ্āĻŖিāϤ āφāϰোāĻĒিāϤ āĻŦ্āϝāĻ•্āϤিāϤ্āĻŦেāϰ āĻŦāϰ্āĻŖāύা āĻĻাāĻ“।]
Ans. Time and death are personified in the sonnet as agents that consume and destroy human life. Shakespeare employs personification to deepen the poem's exploration of aging and mortality.
[āϏāύেāϟāϟিāϤে āϏāĻŽāϝ় āĻāĻŦং āĻŽৃāϤ্āϝুāĻ•ে āĻĒ্āϰāϤিāύিāϧি āĻšিāϏেāĻŦে āϚিāϤ্āϰিāϤ āĻ•āϰা āĻšāϝ়েāĻ›ে āϝা āĻŽাāύুāώেāϰ āϜীāĻŦāύāĻ•ে āĻ•্āϰāĻŽে āĻ—্āϰাāϏ āĻ•āϰে। āĻļেāĻ•্āϏāĻĒিāϝ়āϰ āĻ•āĻŦিāϤাāϟিāϤে āĻŦ্āϝāĻ•্āϤিāϤ্āĻŦ āφāϰোāĻĒেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰেāĻ›েāύ āĻŦāϝ়āϏāĻŦৃāĻĻ্āϧি āĻāĻŦং āĻŽāϰāĻŖāĻļীāϞāϤাāϰ āĻ…āύ্āĻŦেāώāĻŖেāϰ āĻ—āĻ­ীāϰāϤা āĻŦোāĻাāϤে।]
Q: What does the 'ash' refer here?
[āĻ›াāχ āĻ•ীāϏেāϰ āĻĒ্āϰāϤীāĻ• āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে?]
Ans. Ashes refer to the remains of something that was once full of life. Just as firewood transforms to ash after its energy is spent, the speaker's youthful strength, passion and vitality has been consumed by time.
[āĻ›াāχ āĻāĻŽāύ āĻ•িāĻ›ুāϰ āĻ…āĻŦāĻļিāώ্āϟাংāĻļেāϰ āĻĒ্āϰāϤীāĻ• āϝা āĻāĻ•āϏāĻŽāϝ় āĻĒ্āϰাāĻŖে āĻĒূāϰ্āĻŖ āĻ›িāϞ। āĻ িāĻ• āϝেāĻŽāύ āĻ•āϰে āϜ্āĻŦাāϞাāύি āĻ›াāχāϝ়ে āĻĒāϰিāĻŖāϤ āĻšāϝ় āϤাāϰ āϏāĻŽāϏ্āϤ āĻļāĻ•্āϤি āĻļেāώ āĻšāĻ“āϝ়াāϰ āĻĒāϰ, āĻŦāĻ•্āϤাāϰ āϝৌāĻŦāύāĻļāĻ•্āϤি, āφāĻŦেāĻ— āĻāĻŦং āϏāĻ•্āϰিāϝ়āϤা āϏāĻŽāϝ়েāϰ āĻĻ্āĻŦাāϰা āĻ—্āϰাāϏ āĻšāϝ়ে āϝাāĻŦে।]
Q: How does the poem explore the theme of decline?
[āĻ•āĻŦিāϤাāϟি āĻ•্āώāϝ়েāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāĻ•ে āĻ•ীāĻ­াāĻŦে āĻ…āύ্āĻŦেāώāĻŖ āĻ•āϰে?]
Ans. The poem explores decline through imagery and metaphor. The poem also emphasizes on mortality underscoring the theme of decline.
[āĻ•āĻŦিāϤাāϟি āϚিāϤ্āϰāĻ•āϞ্āĻĒ āĻāĻŦং āϰূāĻĒāĻ•েāϰ āĻŽাāϧ্āϝāĻŽে āĻ•্āώāϝ়েāϰ āĻŦিāώāϝ়āϟিāĻ•ে āĻ…āύ্āĻŦেāώāĻŖ āĻ•āϰে। āĻ•āĻŦিāϤাāϟি 'āύāĻļ্āĻŦāϰāϤা'-āϰ āωāĻĒāϰ āϜোāϰ āĻĻেāϝ় āϝা āĻ•্āώāϝ়েāϰ āϧাāϰāĻŖাāϟিāϰ āωāĻĒāϰ āĻ—ুāϰুāϤ্āĻŦ āφāϰোāĻĒ āĻ•āϰে।]
Q: What does the speaker want his loved one to understand in 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϝ় āĻŦāĻ•্āϤা āϤাঁāϰ āĻĒ্āϰিāϝ়āϜāύāĻ•ে āĻ•ী āĻŦোāĻাāϤে āϚাāύ?]
Ans. The speaker wants his loved one to understand that love is precious and valuable because life is fleeting, and they should cherish their love while they still can.
[āĻŦāĻ•্āϤা āϤাāϰ āĻĒ্āϰিāϝ়āϜāύāĻ•ে āĻŦোāĻাāϤে āϚাāύ āϝে, āϜীāĻŦāύ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻŦāϞে āĻĒ্āϰেāĻŽ āĻ…āĻŽূāϞ্āϝ āĻ“ āĻŽāĻšাāϰ্āϘ্āϝ, āϤাāχ āϝāϤāĻĻিāύ āϏāĻŽ্āĻ­āĻŦ, āϤāϤāĻĻিāύ āϤাāĻĻেāϰ āĻĒ্āϰেāĻŽāĻ•ে āϞাāϞāύ āĻ•āϰāϤে āĻšāĻŦে।]
Q: Describe the symbolism of "yellow leaves".
["āĻšāϞুāĻĻ āĻĒাāϤা"-āĻāϰ āĻĒ্āϰāϤীāĻ•ি āĻ…āϰ্āĻĨ āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. "Yellow leaves" symbolize the decline and aging of the speaker. Here the speaker implies that his earlier years were filled with freshness and abundance. The fading yellow leaves create a visual of decay and the inevitability of time's passing.
["āĻšāϞুāĻĻ āĻĒাāϤা" āĻŦāĻ•্āϤাāϰ āĻ…āĻŦāĻ•্āώāϝ় āĻāĻŦং āĻŦাāϰ্āϧāĻ•্āϝেāϰ āĻĒ্āϰāϤীāĻ•। āĻāĻ–াāύে āĻŦāĻ•্āϤা āĻŦোāĻাāϤে āϚেāϝ়েāĻ›েāύ āϝে āĻŦিāĻ—āϤ āĻŦāĻ›āϰāĻ—ুāϞি āĻĒāϰিāĻĒূāϰ্āĻŖ āĻšāϝ়েāĻ›িāϞ āϏāϜীāĻŦāϤা āĻāĻŦং āĻĒ্āϰাāϚুāϰ্āϝে। āĻŦিāĻŦāϰ্āĻŖ āĻšāϞুāĻĻ āĻĒাāϤা āĻāĻ• āϧ্āĻŦংāϏেāϰ āĻāĻŦং āϏāĻŽāϝ়েāϰ āĻ…āύিāĻŦাāϰ্āϝāϤাāϰ āĻĻৃāĻļ্āϝ āϏৃāώ্āϟি āĻ•āϰেāĻ›ে।]
Q: What is the tone of the couplet of 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϰ āĻĻুāχ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•েāϰ āϏুāϰ āĻ•ী āϧāϰāύেāϰ?]
Ans. The tone of the couplet of 'Sonnet 73' is reflective and appreciative, as the speaker recognizes the preciousness of love and cherishes it due to the transient nature of life.
['Sonnet 73'-āĻāϰ āĻĻুāχ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•েāϰ āϏুāϰ āĻ­াāĻŦুāĻ• āĻ“ āĻ•ৃāϤāϜ্āĻžāϤাāĻĒূāϰ্āĻŖ, āĻ•াāϰāĻŖ āĻŦāĻ•্āϤা āĻĒ্āϰেāĻŽেāϰ āĻ…āĻŽূāϞ্āϝāϤাāĻ•ে āωāĻĒāϞāĻŦ্āϧি āĻ•āϰেāύ āĻāĻŦং āϜীāĻŦāύেāϰ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻĒ্āϰāĻ•ৃāϤিāϰ āĻ•াāϰāĻŖে āϤা āφāϰāĻ“ āĻ—āĻ­ীāϰāĻ­াāĻŦে āϞাāϞāύ āĻ•āϰেāύ।]
Q: Describe the speaker's comparison of himself to a tree in late autumn.
[āĻŦāĻ•্āϤা āĻ•ীāĻ­াāĻŦে āύিāϜেāĻ•ে āĻļāϰāϤেāϰ āĻļেāώেāϰ āĻāĻ•āϟি āĻ—াāĻ›েāϰ āϏাāĻĨে āϤুāϞāύা āĻ•āϰেāύ āϤা āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker compares himself to a tree in late autumn that has lost its leaves, symbolizing the decline of life and vitality.
[āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻļāϰāϤেāϰ āĻāĻŽāύ āĻāĻ•āϟি āĻ—াāĻ›েāϰ āϏাāĻĨে āϤুāϞāύা āĻ•āϰেāύ āϝাāϰ āĻĒাāϤা āĻāϰে āĻ—েāĻ›ে, āϝা āϜীāĻŦāύ āĻ“ āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϰ āĻĒāϤāύেāϰ āĻĒ্āϰāϤীāĻ•।]
Q: What happens to the light in the second quatrain of 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϰ āĻĻ্āĻŦিāϤীāϝ় āϚাāϰ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āφāϞো āύিāϝ়ে āĻ•ী āĻŦāϞা āĻšāϝ়েāĻ›ে?]
Ans. The light fades and is eventually extinguished, leaving behind the darkness of night. This imagery illustrates the inevitable death as life's light diminishes and disappears.
[āĻĻ্āĻŦিāϤীāϝ় āϚাāϰ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āφāϞো āϧীāϰে āϧীāϰে āύিঃāĻļেāώ āĻšāϝ়ে āϝাāϝ় āĻāĻŦং āĻļেāώে āϚাāϰāĻĻিāĻ• āĻ…āύ্āϧāĻ•াāϰে āĻĄুāĻŦে āϝাāϝ়, āϝা āϰাāϤেāϰ āφāĻ—āĻŽāύāĻ•ে āύিāϰ্āĻĻেāĻļ āĻ•āϰে। āĻāχ āϚিāϤ্āϰāĻ•āϞ্āĻĒāϟি āϜীāĻŦāύেāϰ āĻ…āύ্āϤিāĻŽ āĻĒāϰ্āĻŦ āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻ…āĻŦāĻļ্āϝāĻŽ্āĻ­াāĻŦিāϤা āĻĒ্āϰāĻ•াāĻļ āĻ•āϰে, āϝেāĻ–াāύে āϜীāĻŦāύেāϰ āφāϞো āĻ•্āώāϝ়āĻĒ্āϰাāĻĒ্āϤ āĻšāϝ়ে āĻšাāϰিāϝ়ে āϝাāϝ়।]
Q: Describe the speaker's acceptance of mortality.
[āĻŦāĻ•্āϤাāϰ āύিāĻ•āϟ 'āύāĻļ্āĻŦāϰāϤা'-āϰ āĻ—্āϰāĻšāĻŖāϝোāĻ—্āϝāϤা āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker accepts mortality as an inevitable part of life, emphasizing the importance of living in the present.
[āĻŦāĻ•্āϤা āĻŽৃāϤ্āϝুāĻ•ে āϜীāĻŦāύেāϰ āĻāĻ•āϟি āĻ…āύিāĻŦাāϰ্āϝ āĻ…ংāĻļ āĻšিāϏেāĻŦে āĻ—্āϰāĻšāĻŖ āĻ•āϰে āĻŦāϰ্āϤāĻŽাāύেāϰ āĻŽāϧ্āϝে āĻŦেঁāϚে āĻĨাāĻ•াāϰ āĻ—ুāϰুāϤ্āĻŦেāϰ āωāĻĒāϰ āϜোāϰ āĻĻেāύ।]
Q: How is 'time' described in the sonnet?
[āϏāύেāϟে āϏāĻŽāϝ়েāϰ āĻŦāϰ্āĻŖāύা āĻ•ীāĻ­াāĻŦে āĻĻেāĻ“āϝ়া āĻšāϝ়েāĻ›ে?]
Ans. 'Time' is described as a force that consumes and destroys life. But it also deepens love as awareness of life's end makes it more precious.
[āϏāĻŽāϝ়āĻ•ে āĻāĻŽāύ āĻāĻ•āϟি āĻļāĻ•্āϤি āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে āϝা āϜীāĻŦāύāĻ•ে āĻ—্āϰাāϏ āĻ•āϰে āĻāĻŦং āϧ্āĻŦংāϏ āĻ•āϰে। āĻ•িāύ্āϤু āĻāϟা āĻ­াāϞোāĻŦাāϏাāĻ•ে āĻ—āĻ­ীāϰ āĻ“ āĻŽূāϞ্āϝāĻŦাāύ āĻ•āϰে āϤোāϞে āϜীāĻŦāύেāϰ āĻļেāώ āĻšāϝ়ে āϝাāĻ“āϝ়া āϏāĻŽ্āĻĒāϰ্āĻ•ে āϏāϚেāϤāύ āĻ•āϰে।]
Q: What is the significance of the "ashes of his youth" in 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϝ় "āϤাāϰ āϝৌāĻŦāύেāϰ āĻ›াāχ" āĻŦāϞāϤে āĻ•ী āĻŦোāĻাāύো āĻšāϝ়েāĻ›ে?]
Ans. The "ashes of his youth" signify the remnants of the speaker's once vibrant and energetic past, now reduced to memories and nearing the end.
["āϤাāϰ āϝৌāĻŦāύেāϰ āĻ›াāχ" āĻŦāϞāϤে āĻŦāĻ•্āϤাāϰ āĻāĻ•āϏāĻŽāϝ়েāϰ āωāϜ্āϜ্āĻŦāϞ āĻ“ āĻĒ্āϰাāĻŖāĻŦāύ্āϤ āĻ…āϤীāϤেāϰ āĻ…āĻŦāĻļিāώ্āϟাংāĻļ āĻŦোāĻাāύো āĻšāϝ়েāĻ›ে, āϝা āĻāĻ–āύ āĻļুāϧুāĻŽাāϤ্āϰ āϏ্āĻŽৃāϤি āĻšāϝ়ে āĻ—েāĻ›ে āĻāĻŦং āĻļেāώেāϰ āĻĒāĻĨে।]
Q: Describe the imagery of ashes in the sonnet.
[āϏāύেāϟে āĻ›াāχāϝ়েāϰ āϚিāϤ্āϰāĻ•āϞ্āĻĒāϟি āĻŦāϰ্āĻŖāύা āĻ•āϰো?]
Ans. The imagery of ashes symbolizes the remains of something that was once full of life. It represents life's lost strength, resting on the remnants of youthful energy that once burned brightly.
[āĻ›াāχ āĻāĻŽāύ āĻ•িāĻ›ুāϰ āĻ…āĻŦāĻļিāώ্āϟাংāĻļেāϰ āĻĒ্āϰāϤীāĻ• āϝা āĻāĻ•āϏāĻŽāϝ় āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϤে āĻĒāϰিāĻĒূāϰ্āĻŖ āĻ›িāϞ। āĻāϟা āωāĻĒāϏ্āĻĨাāĻĒিāϤ āĻ•āϰে āϜীāĻŦāύেāϰ āϰāϝ়ে āϝাāĻ“āϝ়া āĻļāĻ•্āϤিāϰ āϝা āĻĒāĻĄ়ে āφāĻ›ে āϝৌāĻŦāύāĻļāĻ•্āϤিāϰ āĻ…āĻŦāĻļিāώ্āϟāϰূāĻĒে āϝা āĻāĻ•āϏāĻŽāϝ়ে āωāϜ্āϜ্āĻŦāϞāĻ­াāĻŦে āϜ্āĻŦāϞেāĻ›িāϞ।]
Q: Which specific imagery is used to describe the passage of time in the first quatrain of 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āϏāĻŽāϝ়েāϰ āĻ…āϤিāĻ•্āϰāĻŽāĻŖ āĻŦোāĻাāϤে āĻ•োāύ্ āύিāϰ্āĻĻিāώ্āϟ āϚিāϤ্āϰāĻ•āϞ্āĻĒ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻ›ে?]
Ans. The passage of time is depicted through the imagery of yellow leaves or none at all on trees, which indicates the transition from life to decay, representing ageing and approaching death.
[āĻāχ āϚাāϰ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āϏāĻŽāϝ়েāϰ āĻ…āϤিāĻ•্āϰāĻŽāĻŖ āĻŦোāĻাāϤে āĻšāϞুāĻĻ āĻĒাāϤা āĻ•িংāĻŦা āĻĒাāϤাāĻšীāύ āĻ—াāĻ›েāϰ āϚিāϤ্āϰāĻ•āϞ্āĻĒ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻ›ে। āĻāχ āϚিāϤ্āϰāĻ•āϞ্āĻĒ āϜীāĻŦāύ āĻĨেāĻ•ে āĻ•্āώāϝ়-āĻāϰ āĻĻিāĻ•ে āϝাāϤ্āϰাāĻ•ে āύিāϰ্āĻĻেāĻļ āĻ•āϰে—āϝা āĻŦাāϰ্āϧāĻ•্āϝ āĻ“ āĻŽৃāϤ্āϝুāϰ āĻ•াāĻ›াāĻ•াāĻ›ি āϚāϞে āφāϏাāϰ āĻĒ্āϰāϤীāĻ•।]
Q: How does the speaker describe his current state?
[āĻŦāĻ•্āϤা āϤাঁāϰ āĻŦāϰ্āϤāĻŽাāύ āĻ…āĻŦāϏ্āĻĨাāĻ•ে āĻ•ীāĻ­াāĻŦে āĻŦāϰ্āĻŖāύা āĻ•āϰেāύ?]
Ans. The speaker describes his current state as if he is in the twilight of his life. He assumes that the twilight will soon change into black night.
[āĻŦāĻ•্āϤা āϤাঁāϰ āĻŦāϰ্āϤāĻŽাāύ āĻ…āĻŦāϏ্āĻĨাāĻ•ে āĻŦāϰ্āĻŖāύা āĻ•āϰেāύ āϝেāύ āϤিāύি āϜীāĻŦāύেāϰ āĻ—োāϧুāϞি āĻŦেāϞাāϝ় āϰāϝ়েāĻ›েāύ। āϤিāύি āϧাāϰāĻŖা āĻ•āϰেāύ āϝে āĻ—োāϧূāϞিāϰ āĻĒāϰāĻĒāϰāχ āĻ•াāϞো āϰাāϤ āύেāĻŽে āφāϏāĻŦে।]
Q: What metaphor is used in the first quatrain of 'Sonnet 73' to describe the trees?
['Sonnet 73'-āĻāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰāϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āĻ—াāĻ›āĻ—ুāϞিāĻ•ে āĻŦāϰ্āĻŖāύা āĻ•āϰাāϰ āϜāύ্āϝ āĻ•ী āϰূāĻĒāĻ• āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āĻšāϝ়েāĻ›ে?]
Ans. The metaphor of "bare ruined choirs" is used to describe the trees. This image evokes a sense of abandoned, decayed spaces once full of life, now silent and empty.
[āĻ—াāĻ›āĻ—ুāϞিāĻ•ে āĻŦāϰ্āĻŖāύা āĻ•āϰাāϰ āϜāύ্āϝ "āύ্āϝাāĻĄ়া āϧ্āĻŦংāϏāĻĒ্āϰাāĻĒ্āϤ āĻ—াāϝ়āĻ•āĻĻāϞেāϰ āĻŽāĻž্āϚ" (bare ruined choirs) āϰূāĻĒāĻ•āϟি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āĻšāϝ়েāĻ›ে। āĻāχ āϚিāϤ্āϰāϟি āĻāĻŽāύ āĻāĻ•āϟি āĻĒāϰিāϤ্āϝāĻ•্āϤ, āϜীāϰ্āĻŖ āĻĒāϰিāĻŦেāĻļেāϰ āĻ…āύুāĻ­ূāϤি āϜাāĻ—াāϝ় āϝা āĻāĻ• āϏāĻŽāϝ় āĻĒ্āϰাāĻŖে āĻĒূāϰ্āĻŖ āĻ›িāϞ, āĻ•িāύ্āϤু āĻāĻ–āύ āύীāϰāĻŦ āĻ“ āĻļূāύ্āϝ।]
Q: Describe the speaker's view on the passage of time.
[āϏāĻŽāϝ়েāϰ āĻĒāϰিāĻŦāϰ্āϤāύ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦāĻ•্āϤাāϰ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—ি āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker views time as a force that consumes and destroys human life, emphasizing the fleeting nature of existence. Time is transient and irresistible.
[āĻ…āϏ্āϤিāϤ্āĻŦেāϰ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻĒ্āϰāĻ•ৃāϤিāϰ āωāĻĒāϰ āϜোāϰ āĻĻিāϝ়ে āĻŦāĻ•্āϤা āϏāĻŽāϝ়āĻ•ে āĻāĻŽāύ āĻāĻ•āϟি āĻļāĻ•্āϤি āĻšিāϏেāĻŦে āĻĻেāĻ–েāύ āϝা āĻŽাāύুāώেāϰ āϜীāĻŦāύāĻ•ে āĻ—্āϰাāϏ āĻ•āϰে āĻāĻŦং āϧ্āĻŦংāϏ āĻ•āϰে। āϏāĻŽāϝ় āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻāĻŦং āĻ…āĻĒ্āϰāϤিāϰোāϧ্āϝ।]
Q: What type of love is Shakespeare discussing in Sonnet-73?
[āϏāύেāϟ-ā§­ā§Š āĻ•āĻŦিāϤাāϝ় āĻļেāĻ•্āϏāĻĒিāϝ়āϰ āĻ•ী āϧāϰāύেāϰ āĻĒ্āϰেāĻŽেāϰ āφāϞোāϚāύা āĻ•āϰেāĻ›েāύ?]
Ans. In Sonnet-73, Shakespeare discusses a love characterized by urgency due to the speaker's old age. The poem also highlights a deep love that endures despite the speaker's aging and mortality.
[āϏāύেāϟ-ā§­ā§Š āĻ•āĻŦিāϤাāϝ় āĻļেāĻ•্āϏāĻĒিāϝ়āϰ āϏāĻŽāϝ়েāϰ āĻāĻ•āϟি āĻ…āĻ—্āϰাāĻš্āϝ āĻ•āϰে āĻŦৃāĻĻ্āϧ āĻŦāϝ়āϏেāϰ āĻĒ্āϰেāĻŽেāϰ āĻ•āĻĨা āĻŦāϞেāĻ›েāύ। āĻ•āĻŦিāϤাāϟি āĻāĻ• āĻ—āĻ­ীāϰ āĻ­াāϞোāĻŦাāϏাāϰ āĻĒ্āϰāϤি āφāϞোāĻ•āĻĒাāϤ āĻ•āϰে āϝা āĻŦāĻ•্āϤাāϰ āĻ•্āϰāĻŽāĻŦāϰ্āϧāĻŽাāύ āĻŦāϝ়āϏ āĻāĻŦং āύāĻļ্āĻŦāϰāϤাāĻ•ে āĻ…āϤিāĻ•্āϰāĻŽ āĻ•āϰেāĻ›ে।]
Q: What is the description of the season in the first quatrain?
[āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻ•ে āĻ•ীāĻ­াāĻŦে āĻ‹āϤুāϰ āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে?]
Ans. The season is described as late autumn, with yellow leaves or none, or few, hanging on the branches. The season of autumn is the metaphor of aging.
[āĻļāϰāϤেāϰ āĻļেāώেāϰ āĻĻিāĻ•েāϰ āĻ‹āϤুāϟিāĻ•ে āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে, āϝেāĻ–াāύে āĻĒাāϤা āĻšāϞুāĻĻ āĻĨাāĻ•ে āĻ…āĻĨāĻŦা āĻĨাāĻ•ে āύা, āĻ…āĻĨāĻŦা āĻĄাāϞে āĻ–ুāĻŦ āĻ•āĻŽ āĻĒাāϤা āĻুāϞে āĻĨাāĻ•ে। āĻļāĻ°ā§ŽāĻ•াāϞ āĻāĻ–াāύে āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻ“āϝ়াāϰ āϰূāĻĒāĻ•।]
Q: What is the inherent lesson that the poem delivers?
[āĻ•āĻŦিāϤাāϟি āϝে āϏুāĻĒ্āϤ āĻļিāĻ•্āώা āĻĻিāϤে āϚাāϝ়, āϤা āĻ•ী?]
Ans. Sonnet-73 imparts the lesson that the inevitability of aging and certainty of death prompts us to cherish each single moment of present times. It also teaches his addressee that inspite of the finality of death, love becomes more deep and heartfelt.
[āϏāύেāϟ-ā§­ā§Š āĻāχ āĻļিāĻ•্āώা āĻĻেāϝ় āϝে āĻŦাāϰ্āϧāĻ•্āϝেāϰ āĻšাāϤāĻ›াāύি āĻāĻŦং āύিāĻļ্āϚিāϤ āĻŽৃāϤ্āϝু āφāĻŽাāĻĻেāϰ āĻŦāϰ্āϤāĻŽাāύেāϰ āĻĒ্āϰāϤিāϟি āĻŽুāĻšূāϰ্āϤāĻ•ে āωāĻĒāĻ­োāĻ— āĻ•āϰাāϝ় āĻ¤ā§ŽāĻĒāϰ āĻ•āϰে āϤোāϞে। āĻāϟি āϤাāϰ āĻļ্āϰোāϤাāĻ•ে āĻāχ āĻļিāĻ•্āώা āĻĻেāϝ় āϝে āĻŽৃāϤ্āϝু āĻ…āĻŦāĻļ্āϝāĻŽ্āĻ­াāĻŦী āϜেāύেāĻ“ āĻ­াāϞোāĻŦাāϏা āφāϰāĻ“ āĻ—āĻ­ীāϰ āĻāĻŦং āĻšৃāĻĻāϝ়āĻ—্āϰাāĻšী āĻšāϝ়ে āĻ“āĻ ে।]
Q: How does the speaker describe the boughs in the beginning of 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϰ āĻļুāϰুāϤে āĻŦāĻ•্āϤা āĻ•ীāĻ­াāĻŦে āĻĄাāϞāĻĒাāϞাāĻ—ুāϞিāĻ•ে āĻŦāϰ্āĻŖāύা āĻ•āϰেāĻ›েāύ?]
Ans. In the beginning of 'Sonnet 73', the boughs are described as "bare ruined choirs" where birds once sang. The metaphor suggests desolation and emptiness, reflecting the speaker's sense of loss and decline.
[āĻ•āĻŦিāϤাāϰ āĻļুāϰুāϤে āĻĄাāϞāĻĒাāϞাāĻ—ুāϞিāĻ•ে "āĻĒāϤ্āϰāĻšীāύ āϧ্āĻŦংāϏāĻĒ্āϰাāĻĒ্āϤ āĻ—াāϝ়āĻ•āĻĻāϞেāϰ āϜāĻŽাāϝ়েāϤ āϏ্āĻĨāϞ" āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে, āϝেāĻ–াāύে āĻāĻ•āϏāĻŽāϝ় āĻĒাāĻ–িāϰা āĻ—াāύ āĻ—াāχāϤ। āĻāχ āϰূāĻĒāĻ•āϟি āĻļূāύ্āϝāϤা āĻ“ āĻŦিāϰāĻšেāϰ āĻ…āύুāĻ­ূāϤিāϰ āĻĒ্āϰāϤিāĻĢāϞāύ āϘāϟাāϝ়, āϝা āĻŦāĻ•্āϤাāϰ āĻšৃāĻĻāϝ়ে āĻ•্āώāϝ়, āύিঃāϏāĻ™্āĻ—āϤা āĻāĻŦং āϜীāĻŦāύেāϰ āĻĒāϤāύেāϰ āχāĻ™্āĻ—িāϤ āĻĻেāϝ়।]
Q: Why is 'time' important in the sonnet?
[āϏāύেāϟāϟিāϤে 'āϏāĻŽāϝ়' āĻ•েāύ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ?]
Ans. In the poem, time is important as it is portrayed as a force that consumes and destroys. The role of time has been described as inevitable.
[āĻ•āĻŦিāϤাāϟিāϤে 'āϏāĻŽāϝ়' āĻ–ুāĻŦāχ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻ•াāϰāĻŖ āϏāĻŽāϝ়āĻ•ে āĻāĻŽāύ āĻāĻ•āϟি āĻļāĻ•্āϤি āĻšিāϏেāĻŦে āϚিāϤ্āϰিāϤ āĻ•āϰা āĻšāϝ়েāĻ›ে āϝা āĻ—্āϰাāϏ āĻ•āϰে āĻāĻŦং āϧ্āĻŦংāϏ āĻ•āϰে। āĻāĻ–াāύে āϏāĻŽāϝ়āĻ•ে āĻ…āĻĒ্āϰāϤিāϰোāϧ্āϝ āĻŦāϞে āωāϞ্āϞেāĻ– āĻ•āϰা āĻšāϝ়েāĻ›ে।]
Q: What does the black night take away?
[āĻ•াāϞো āϰাāϤ্āϰি āĻ•ী āύিāϝ়ে āϚāϞে āϝাāϝ়?]
Ans. The black night takes away the vigour and vitality of youth. The black night metaphorically represents the approach of death and takes away the remaining lights of life.
[āĻ•াāϞো āϰাāϤ্āϰিāϟি āϝৌāĻŦāύেāϰ āĻĒ্āϰাāĻŖোāϚ্āĻ›āϞāϤা āĻ“ āϜীāĻŦāύীāĻļāĻ•্āϤিāĻ•ে āύিāϝ়ে āϚāϞে āϝাāϝ়। āĻ•াāϞো āϰাāϤ্āϰি āϜীāĻŦāύেāϰ āφāϞো āύিāĻ­ে āφāϏা āĻ…āĻĨāĻŦা āĻŽৃāϤ্āϝুāϰ āφāĻ—āĻŽāύāĻ•ে āϰূāĻĒāĻ•াāϰ্āĻĨে āωāĻĒāϏ্āĻĨাāĻĒিāϤ āĻ•āϰে।]
Q: Describe the speaker's relationship with the beloved.
[āĻĒ্āϰেāĻŽাāϏ্āĻĒāĻĻেāϰ āϏাāĻĨে āĻŦāĻ•্āϤাāϰ āϏāĻŽ্āĻĒāϰ্āĻ•āϟি āĻ•āĻŦিāϤাāϝ় āĻ•ীāĻ­াāĻŦে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে?]
Ans. The relationship is intimate and affectionate. The speaker reveals his tender attitude towards him through the poem.
[āĻŦāĻ•্āϤাāϰ āĻĒ্āϰেāĻŽিāĻ•েāϰ āϏāĻ™্āĻ—ে āϏāĻŽ্āĻĒāϰ্āĻ•āϟি āϘāύিāώ্āĻ  āĻ“ āϏ্āύেāĻšāĻĒূāϰ্āĻŖ। āĻāϟি āϤাāϰ āĻĒ্āϰāϤি āĻŦāĻ•্āϤাāϰ āĻ•োāĻŽāϞ āφāϚāϰāĻŖāĻ•ে āĻĢুāϟিāϝ়ে āϤোāϞে।]
Q: Describe the use of symbolism in the sonnet.
[āϏāύেāϟে āĻĒ্āϰāϤীāĻ•িāĻŦাāĻĻেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The symbols like seasons of autumn and winter are used to describe stages of human life. 'Fire', 'Night' describe fading of the speaker's vitality and subsequent end of life. The yellow leaves symbolize the loss of vitality and passing of time.
[āĻļāĻ°ā§Ž āĻ“ āĻļীāϤেāϰ āĻŽāϤো āĻ‹āϤুāĻ—ুāϞি āĻŽāύুāώ্āϝāϜীāĻŦāύেāϰ āĻŦিāĻ­িāύ্āύ āϏāĻŽāϝ়āĻ•ে āĻŦāϰ্āĻŖāύা āĻ•āϰে। āφāĻ—ুāύ āĻāĻŦং āϰাāϤ্āϰিāϰ āĻĒ্āϰāϤীāĻ• āĻĻুāϟি āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϰ āĻ…āĻŦāύāϝ়āύ āĻāĻŦং āĻĒāϰāĻŦāϰ্āϤী āĻŽৃāϤ্āϝুāϰ āĻ•āĻĨা āĻŦāϰ্āĻŖāύা āĻ•āϰে। āĻšāϞুāĻĻ āĻĒাāϤাāĻ—ুāϞি āϜীāĻŦāύীāĻļāĻ•্āϤিāϰ āĻš্āϰাāϏ āĻ“ āϏāĻŽāϝ়েāϰ āĻŦāϝ়ে āϚāϞাāĻ•ে āϏূāϚিāϤ āĻ•āϰে।]
Q: How does the poet's awareness of death affect his view of love in 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϝ় āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤি āĻ•āĻŦিāϰ āϏāϚেāϤāύāϤা āϤাঁāϰ āĻĒ্āϰেāĻŽেāϰ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—িāĻ•ে āĻ•ীāĻ­াāĻŦে āĻĒ্āϰāĻ­াāĻŦিāϤ āĻ•āϰে?]
Ans. The speaker's awareness of death makes him cherish and value love more deeply, understanding that love's worth is magnified by its impermanence.
[āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤি āĻŦāĻ•্āϤাāϰ āϏāϚেāϤāύāϤা āϤাāĻ•ে āĻĒ্āϰেāĻŽāĻ•ে āφāϰāĻ“ āĻ—āĻ­ীāϰāĻ­াāĻŦে āϞাāϞāύ āĻ“ āĻŽূāϞ্āϝাāϝ়āύ āĻ•āϰāϤে āĻļেāĻ–াāϝ়, āĻ•াāϰāĻŖ āϤিāύি āĻŦুāĻāϤে āĻĒাāϰেāύ āϝে āĻĒ্āϰেāĻŽেāϰ āĻŽূāϞ্āϝ āϤাāϰ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়িāϤ্āĻŦেāϰ āĻŽāϧ্āϝেāχ āφāϰāĻ“ āĻŦেāĻĄ়ে āϝাāϝ়।]
Q: What does the speaker intend to say to his beloved?
[āĻŦāĻ•্āϤা āϤাঁāϰ āĻĒ্āϰিāϝ়āϜāύāĻ•ে āĻ•ী āĻŦāϞāϤে āϚাāύ?]
Ans. The speaker intends to say to his beloved to appreciate the time they have together because time has a fleeting nature and the moment may not return again.
[āĻŦāĻ•্āϤা āϤাঁāϰ āĻĒ্āϰিāϝ়āϜāύāĻ•ে āϏāĻŽāϝ়েāϰ āĻ—ুāϰুāϤ্āĻŦ āωāĻĒāϞāĻŦ্āϧি āĻ•āϰāϤে āĻŦāϞেāύ। āĻ•াāϰāĻŖ āϏāĻŽāϝ় āύিāϝ়āϤ āĻĒāϰিāĻŦāϰ্āϤāύāĻļীāϞ āĻāĻŦং āϝে āϏāĻŽāϝ় āϚāϞে āϝাāϝ় āϤা āφāϰ āĻĢিāϰে āφāϏে āύা।]
Q: What is the significance of "such day" in the sonnet?
[āϏāύেāϟে āĻŦāϰ্āĻŖিāϤ "āĻāĻŽāύ āĻĻিāύ" āĻāϰ āϤাā§ŽāĻĒāϰ্āϝ āĻŦāϰ্āĻŖāύা āĻ•āϰো?]
Ans. "Such day" refers to the speaker's life, which is nearing its end. The twilight however will extinguish by dark and deep night that ends all activities and brings everything to rest. Similarly, the last flickers of the warmth of the poet's life will be taken away by death.
["āĻāĻŽāύ āĻĻিāύ" āĻŦāϞāϤে āĻŦāĻ•্āϤাāϰ āϜীāĻŦāύāĻ•ে āĻŦোāĻাāϝ় āϝা āϤাāϰ āĻļেāώেāϰ āĻĻিāĻ•ে āĻāĻ—িāϝ়ে āϚāϞেāĻ›ে। āĻ—োāϧূāϞি āĻāĻ•āϏāĻŽāϝ় āĻ—āĻ­ীāϰ āϰাāϤেāϰ āĻ…āύ্āϧāĻ•াāϰে āύিāĻŽāϜ্āϜিāϤ āĻšāĻŦে āϝা āϏāĻ•āϞ āĻ—āϤিāĻļীāϞāϤাāĻ•ে āϰুāĻĻ্āϧ āĻ•āϰāĻŦে āĻāĻŦং āϏāĻŦāĻ•িāĻ›ুāϰ āĻŦিāϰাāĻŽ āϘোāώāĻŖা āĻ•āϰāĻŦে āĻāĻŦং āĻāĻ•āχāĻ­াāĻŦে āĻ•āĻŦিāϰ āϜীāĻŦāύে āĻ…āύ্āϤিāĻŽ āωāώ্āĻŖāϤাāϰ āĻāϞāĻ•āϟি āĻ…āϚিāϰেāχ āĻŽৃāϤ্āϝু āĻ›িāύিāϝ়ে āύিāϝ়ে āϝাāĻŦে।]
Q: What does the poet imply about his own life through the imageries and comparisons in 'Sonnet 73'?
['Sonnet 73' āĻ•āĻŦিāϤাāϝ় āĻŦ্āϝāĻŦāĻšৃāϤ āϰূāĻĒāĻ• āϚিāϤ্āϰ āĻ“ āωāĻĒāĻŽাāϰ āĻŽাāϧ্āϝāĻŽে āĻ•āĻŦি āύিāϜেāϰ āϜীāĻŦāύ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ•ী āχāĻ™্āĻ—িāϤ āĻĻেāύ?]
Ans. The poet implies that his life is in its final stages, nearing the end like autumn and twilight. These comparisons highlight the themes of ageing, decline and the inevitability of death.
[āĻ•āĻŦি āχāĻ™্āĻ—িāϤ āĻĻেāύ āϝে, āϤাঁāϰ āϜীāĻŦāύ āĻļেāώ āĻĒāϰ্āϝাāϝ়ে āĻĒৌঁāĻ›েāĻ›ে—āĻļāϰāϤেāϰ āĻŽāϤো āĻ“ āĻ—োāϧূāϞিāϰ āĻŽāϤো āĻ…āύ্āϤিāĻŽ āĻĒ্āϰāĻšāϰে। āĻāϏāĻŦ āωāĻĒāĻŽা āĻ“ āϚিāϤ্āϰ āĻŦাāϰ্āϧāĻ•্āϝ, āĻ…āĻŦāĻ•্āώāϝ় āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻ…āύিāĻŦাāϰ্āϝāϤা—āĻāχ āϏāĻŦ āĻŦিāώāϝ়āĻ•ে āϤুāϞে āϧāϰে।]
Q: What is the significance of the poem's use of autumnal imagery?
[āĻ•āĻŦিāϤাāϟিāϤে āĻļāĻ°ā§ŽāĻ•াāϞীāύ āϚিāϤ্āϰāĻ•āϞ্āĻĒ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āϤাā§ŽāĻĒāϰ্āϝ āĻ•ী?]
Ans. The autumnal imagery symbolizes decline, aging, and mortality, highlighting the passing of time.
[āĻļāĻ°ā§ŽāĻ•াāϞেāϰ āϚিāϤ্āϰāĻ•āϞ্āĻĒāĻ—ুāϞি āĻ•্āώāϝ়, āĻŦাāϰ্āϧāĻ•্āϝ āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤীāĻ• āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖিāϤ, āϝা āϏāĻŽāϝ়েāϰ āĻŦāϝ়ে āϚāϞে āϝাāĻ“āϝ়াāĻ•ে āϤুāϞে āϧāϰে।]
Q: What is the poem's message about love?
[āĻ•āĻŦিāϤাāϟিāϤে āĻĒ্āϰেāĻŽ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ•ী āĻŦাāϰ্āϤা āĻĻেāĻ“āϝ়া āĻšāϝ়েāĻ›ে?]
Ans. The poem's message is to appreciate and cherish love while it exists, as it is fleeting and impermanent. The poem focuses on the message that love deepens and becomes more precious when confronted with the reality of ageing and mortality.
[āĻ•āĻŦিāϤাāϟিāϰ āĻŦাāϰ্āϤা āĻšāϞ āĻ­াāϞোāĻŦাāϏাāϰ āĻ…āϏ্āϤিāϤ্āĻŦ āĻĨাāĻ•াāĻ•াāϞীāύ āϤাāĻ•ে āωāĻĒāϞāĻŦ্āϧি āĻ•āϰা āĻāĻŦং āϞাāϞāύ āĻ•āϰা, āĻ•াāϰāĻŖ āĻāϟি āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻāĻŦং āĻĻ্āϰুāϤāĻ—াāĻŽী। āĻ•āĻŦিāϤাāϟি āĻāχ āĻŦাāϰ্āϤাāϟিāϰ āωāĻĒāϰ āĻ•েāύ্āĻĻ্āϰিāĻ­ূāϤ āĻšāϝ় āϝে āĻ­াāϞোāĻŦাāϏা āĻ—āĻ­ীāϰāϤা āϞাāĻ­ āĻ•āϰে āφāϰো āĻŽূāϞ্āϝāĻŦাāύ āĻšāϝ়ে āĻ“āĻ ে āϝāĻ–āύ āϤা āĻŦাāϰ্āϧāĻ•্āϝ āĻ“ āĻŽāϰāĻŖāĻļীāϞāϤাāϰ āĻŽāϤো āĻŦাāϏ্āϤāĻŦেāϰ āĻŽুāĻ–োāĻŽুāĻ–ি āĻšāϝ়।]
Q: What is the description of "Death's second self"?
["āĻŽৃāϤ্āϝুāϰ āĻĻ্āĻŦিāϤীāϝ় āϏāϤ্āϤা"āϰ āĻŦāϰ্āĻŖāύাāϟি āĻ•ী?]
Ans. 'Sleep' has been described here as death's second self. It highlights the similarity between sleep and death as both involve a cessation of activity and closing of the eyes. The speaker uses this comparison to highlight his own aging and approaching death.
['āϘুāĻŽ'-āĻ•ে āĻāĻ–াāύে āĻŽৃāϤ্āϝুāϰ 'āĻĻ্āĻŦিāϤীāϝ় āϏāϤ্āϤা' āĻŦāϞে āĻŦ্āϝাāĻ–্āϝা āĻ•āϰা āĻšāϝ়েāĻ›ে। āϘুāĻŽ āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āϏাāĻĻৃāĻļ্āϝেāϰ āωāĻĒāϰে āĻāĻ–াāύে āφāϞোāĻ•āĻĒাāϤ āĻ•āϰা āĻšāϝ়েāĻ›ে। āĻāĻ–াāύে āĻĻুāϟি āĻŦিāώāϝ় āϜুāĻĄ়ে āφāĻ›ে āĻ•āϰ্āĻŽ āϏāĻ•্āϰিāϝ়āϤাāϰ āϏāĻŽাāĻĒ্āϤি। āϚোāĻ–েāϰ āĻĒাāϤা āĻŦāύ্āϧ āĻšāϝ়ে āϝাāĻ“āϝ়াāϰ āϏāĻ™্āĻ—ে āĻŦāĻ•্āϤা āϤুāϞāύা āĻ•āϰেāĻ›েāύ āϤাāϰ āύিāϜেāϰ āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻ“āϝ়াāĻ•ে āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻāĻ—িāϝ়ে āφāϏাāĻ•ে।]
Q: What lesson does "Sonnet 73" offer to its reader?
[āϏāύেāϟ ā§­ā§Š āϤাāϰ āĻĒাāĻ āĻ•āĻ•ে āĻ•ী āĻļিāĻ•্āώা āĻĒ্āϰāĻĻাāύ āĻ•āϰে?]
Ans. The poem teaches its reader to appreciate and cherish love while it exists as it is fleeting and may diminish any time when death comes. This awareness will make love stronger.
[āĻ•āĻŦিāϤাāϟিāϤে āĻĒাāĻ āĻ•āĻ•ে āĻ­াāϞোāĻŦাāϏাāϰ āĻŽāϰ্āĻŽ āωāĻĒāϞāĻŦ্āϧি āĻ•āϰাāϰ āĻ•āĻĨা āĻāĻŦং āϤাāĻ•ে āϞাāϞāύ āĻ•āϰাāϰ āĻ•āĻĨা āĻŦāϞা āĻšāϝ়েāĻ›ে āĻ•াāϰāĻŖ āϜীāĻŦāύ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻāĻŦং āϝে āĻ•োāύো āĻŽুāĻšূāϰ্āϤে āĻŽৃāϤ্āϝু āϤাāĻ•ে āĻ—্āϰাāϏ āĻ•āϰāϤে āĻĒাāϰে। āĻāχ āĻ…āύুāĻ­ূāϤি āĻĒ্āϰেāĻŽāĻ•ে āφāϰāĻ“ āĻĻৃāĻĸ় āĻ•āϰে āϤুāϞāĻŦে।]
Q: How does the couplet of 'Sonnet 73' tie the sonnet together?
['Sonnet 73' āĻ•āĻŦিāϤাāϰ āĻĻুāχ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•āϟি āĻ•ীāĻ­াāĻŦে āĻĒুāϰো āϏāύেāϟāĻ•ে āĻāĻ•āϏূāϤ্āϰে āĻ—েঁāĻĨে āϰাāĻ–ে?]
Ans. The couplet of 'Sonnet 73' ties the sonnet together by connecting the theme of mortality with the heightened value of love, emphasizing love's significance in the face of death.
['Sonnet 73'-āĻāϰ āĻĻুāχ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•āϟি āĻŽৃāϤ্āϝুāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāĻ•ে āĻĒ্āϰেāĻŽেāϰ āĻŽূāϞ্āϝāĻŦোāϧেāϰ āϏāĻ™্āĻ—ে āϝুāĻ•্āϤ āĻ•āϰে āĻĒুāϰো āϏāύেāϟāĻ•ে āĻāĻ•āϤ্āϰিāϤ āĻ•āϰে, āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻŽুāĻ–োāĻŽুāĻ–ি āĻĻাঁāĻĄ়িāϝ়ে āĻĒ্āϰেāĻŽেāϰ āĻ—ুāϰুāϤ্āĻŦāĻ•ে āφāϰāĻ“ āĻ—āĻ­ীāϰāĻ­াāĻŦে āϤুāϞে āϧāϰে।]
Q: Describe the speaker's view on aging.
[āĻŦাāϰ্āϧāĻ•্āϝ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦāĻ•্āϤাāϰ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—ি āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker views aging as a natural process leading to mortality. It is obvious and inevitable. The speaker seems to accept his ageing and mortality with a degree of grace focusing on the enduring power of love rather than dwelling on despair.
[āĻŦāĻ•্āϤা āĻŦাāϰ্āϧāĻ•্āϝāĻ•ে āĻŽৃāϤ্āϝুāϰ āĻĻিāĻ•ে āĻĒāϰিāϚাāϞিāϤ āĻ•āϰে āĻāĻŽāύ āĻāĻ•āϟি āĻĒ্āϰাāĻ•ৃāϤিāĻ• āĻĒ্āϰāĻ•্āϰিāϝ়া āĻšিāϏেāĻŦে āĻĻেāĻ–েāύ। āĻāϟি āύিāĻļ্āϚিāϤ āĻāĻŦং āĻ…āĻĒ্āϰāϤিāϰোāϧ্āϝ। āĻŦāĻ•্āϤা āϤাঁāϰ āĻŦাāϰ্āϧāĻ•্āϝ āĻ“ āĻŽāϰāĻŖāĻļীāϞāϤাāĻ•ে āϏাāύāύ্āĻĻে āĻ—্āϰāĻšāĻŖ āĻ•āϰেāύ āĻ­াāϞোāĻŦাāϏাāϰ āĻ…āϏীāĻŽ āĻļāĻ•্āϤিāϰ āωāĻĒāϰ āφāϞোāĻ•āĻĒাāϤ āĻ•āϰে āϝেāĻ–াāύে āϏ্āĻĨাāϝ়িāϤ্āĻŦ āĻŦা āĻšāϤাāĻļাāϰ āĻ•োāύো āϏ্āĻĨাāύ āύেāχ।]
Q: What is the description of the poem's language?
[āĻ•āĻŦিāϤাāϟিāϰ āĻ­াāώা āĻŽাāϧুāϰ্āϝেāϰ āĻŦāϰ্āĻŖāύা āĻĻাāĻ“।]
Ans. The language of the poem is poetic, rich, and evocative. Shakespeare uses his unique proposition of language to deliver his philosophy and concept on aging and mortality.
[āĻ•āĻŦিāϤাāϰ āĻ­াāώাāϟি āĻ•াāĻŦ্āϝিāĻ•, āϏāĻŽৃāĻĻ্āϧ āĻāĻŦং āĻ­াāĻŦাāĻŦেāĻ—āĻĒূāϰ্āĻŖ। āĻļেāĻ•্āϏāĻĒিāϝ়āϰ āϤাঁāϰ āĻ…āύāĻŦāĻĻ্āϝ āĻ­াāώাāϰ āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰেāύ āĻŦাāϰ্āϧāĻ•্āϝ āĻāĻŦং āύāĻļ্āĻŦāϰāϤাāϰ āωāĻĒāϰ āϤাঁāϰ āĻĻাāϰ্āĻļāύিāĻ• āĻŦোāϧ āĻŦ্āϝāĻ•্āϤ āĻ•āϰāϤে।]
Q: How has the speaker's emotion been described in the poem?
[āĻ•āĻŦিāϤাāϟিāϤে āĻŦāĻ•্āϤাāϰ āφāĻŦেāĻ— āĻ•ীāϰূāĻĒে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে?]
Ans. The speaker's emotion has been described as melancholic, reflective, and affectionate towards his beloved. In it, acceptance regarding his aging and impending death interwoven with sense of enduring power of love.
[āĻ•āĻŦিāϤাāϟিāϤে āĻŦāĻ•্āϤাāϰ āφāĻŦেāĻ—āĻ•ে āĻŦিāώāĻŖ্āĻŖ, āϚিāύ্āϤাāĻļীāϞ āĻāĻŦং āϤাঁāϰ āĻĒ্āϰিāϝ়āϜāύেāϰ āĻĒ্āϰāϤি āϏ্āύেāĻšāĻĒূāϰ্āĻŖ āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে। āĻāϰ āĻŽāϧ্āϝে āϤাঁāϰ āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻ“āϝ়া āĻāĻŦং āφāϏāύ্āύ āĻŽৃāϤ্āϝু āĻ­াāϞোāĻŦাāϏাāϰ āĻļāĻ•্āϤিāϰ āϏ্āĻĨাāϝ়িāϤ্āĻŦেāϰ āϏাāĻĨে āϜāĻĄ়িāϤ āĻšāϝ়ে āφāĻ›ে।]
Q: Describe the image of 'twilight' in the second quatrain?
[āĻĻ্āĻŦিāϤীāϝ় āϏ্āϤāĻŦāĻ•ে āĻŦāϰ্āĻŖিāϤ āĻ—োāϧূāϞিāϰ āϚিāϤ্āϰāϟি āϞেāĻ–ো।]
Ans. 'Twilight' is described as the fading light of day symbolizing the decline of life and vitality. This twilight, however, will be extinguished with the touch of the dark and deep night that ends all activities and brings everything to rest.
[āĻ—োāϧূāϞিāĻ•ে āĻĒāĻĄ়āύ্āϤ āĻĻিāύেāϰ āφāϞোāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰা āĻšāϝ়েāĻ›ে āϝা āϜীāĻŦāύ āĻ“ āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϰ āĻ…āĻŦāύāĻŽāύেāϰ āĻĒ্āϰāϤীāĻ•। āϝাāχāĻšোāĻ• āĻāχ āĻ—োāϧূāϞিāĻ“ āĻ•াāϞো āĻ—āĻ­ীāϰ āϰাāϤেāϰ āĻ›োঁāϝ়াāϝ় āύিāĻ­ে āϝাāĻŦে āϝা āϏāĻŦ āĻ•াāϜāĻ•āϰ্āĻŽāĻ•ে āĻĨাāĻŽিāϝ়ে āĻĻেāĻŦে āϏāĻŦāĻ•িāĻ›ুāϰ āĻŦিāĻļ্āϰাāĻŽ āĻāύে।]
Q: What does the poet say about love in the final couplet of 'Sonnet 73'?
['Sonnet 73'-āĻāϰ āĻļেāώ āĻĻুāχ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āĻ•āĻŦি āĻĒ্āϰেāĻŽ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ•ী āĻŦāϞেāύ?]
Ans. In the final couplet of his 'Sonnet 73', the poet says that love is made more precious and valuable by the awareness of life's fleeting nature and the inevitability of death.
['Sonnet 73'-āĻāϰ āĻļেāώ āĻĻুāχ āϞাāχāύেāϰ āϏ্āϤāĻŦāĻ•ে āĻ•āĻŦি āĻŦāϞেāύ āϝে, āϜীāĻŦāύেāϰ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী āĻĒ্āϰāĻ•ৃāϤি āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻ…āύিāĻŦাāϰ্āϝāϤা āωāĻĒāϞāĻŦ্āϧি āĻ•āϰাāϝ় āĻĒ্āϰেāĻŽ āφāϰāĻ“ āĻŽāĻšাāϰ্āϘ্āϝ āĻ“ āĻŦāĻšুāĻŽূāϞ্āϝ āĻšāϝ়ে āĻ“āĻ ে।]
Q: How is 'night' described in the sonnet?
[āϏāύেāϟে āĻ•ীāĻ­াāĻŦে āϰাāϤেāϰ āϚিāϤ্āϰ āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে?]
Ans. The 'Night' is described as a symbol that marks the end of life or death. It is obvious and rotatable. The imagery not only evokes a sense of melancholy but also suggests a welcome release into final repose.
[āϰাāϤ্āϰিāĻ•ে āϜীāĻŦāύেāϰ āĻļেāώ āĻŦা āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤীāĻ• āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে। āĻāϟি āύিāĻļ্āϚিāϤ āĻāĻŦং āφāĻŦāϰ্āϤāύāĻļীāϞ। āĻāχ āĻĻৃāĻļ্āϝāĻ•āϞ্āĻĒāϟি āĻļুāϧুāĻŽাāϤ্āϰ āĻĻুঃāĻ–েāϰ āĻ…āύুāĻ­ূāϤি āϏৃāώ্āϟি āĻ•āϰে āύা, āĻāϟি āĻ…āύ্āϤিāĻŽ āĻŦিāĻļ্āϰাāĻŽāĻ•ে āϏ্āĻŦাāĻ—āϤ āϜাāύাāϝ়।]
Q: What imageries are used by the speaker to describe the end of life in 'Sonnet 73'?
['Sonnet 73'-āϤে āĻŦāĻ•্āϤা āϜীāĻŦāύāϚāĻ•্āϰেāϰ āĻ…āύ্āϤিāĻŽ āĻĒāϰ্āĻŦ āĻŦোāĻাāϤে āĻ•ী āϧāϰāύেāϰ āϚিāϤ্āϰāĻ•āϞ্āĻĒ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰেāĻ›েāύ?]
Ans. Imageries like "black night" and "death's second self" are used to describe the end of life, evoking a sense of inevitable darkness and finality.
["āĻ•াāϞো āϰাāϤ্āϰি" āĻāĻŦং "āĻŽৃāϤ্āϝুāϰ āĻĻ্āĻŦিāϤীāϝ় āϏ্āĻŦāϰূāĻĒ"-āĻāϰ āĻŽāϤো āϚিāϤ্āϰāĻ•āϞ্āĻĒ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āϜীāĻŦāύেāϰ āϏāĻŽাāĻĒ্āϤি āĻŦāϰ্āĻŖāύা āĻ•āϰা āĻšāϝ়েāĻ›ে, āϝা āĻ…āύিāĻŦাāϰ্āϝ āĻ…āύ্āϧāĻ•াāϰ āĻ“ āϚূāĻĄ়াāύ্āϤ āĻĒāϰিāϏāĻŽাāĻĒ্āϤিāϰ āĻ…āύুāĻ­ূāϤি āϜাāĻ—িāϝ়ে āϤোāϞে।]
Q: What is the significance of "by and by" in the sonnet?
[āϏāύেāϟিāϤে "āĻŦাāχ āĻ…্āϝাāύ্āĻĄ āĻŦাāχ” āĻļāĻŦ্āĻĻāĻ—ুāϚ্āĻ›েāϰ āϤাā§ŽāĻĒāϰ্āϝ āĻ•ী?]
Ans. The phrase "by and by" suggests a process of gradual decline and aging. The phrase signifies inevitable progression from twilight to black night mirroring the speaker's perception of his own ageing and approaching death.
["āĻŦাāχ āĻ…্āϝাāύ্āĻĄ āĻŦাāχ” āĻļāĻŦ্āĻĻāĻ—ুāϚ্āĻ›āϟি āĻĻ্āĻŦাāϰা āĻŦাāϰ্āϧāĻ•্āϝ āĻāĻŦং āĻ•্āώāϝ়েāϰ āĻ•্āϰāĻŽাāύ্āĻŦāϝ় āĻĒāĻĻ্āϧāϤিāĻ•ে āĻŦোāĻাāύো āĻšāϝ়েāĻ›ে। āĻŦাāĻ•্āϝāĻŦāύ্āϧāϟি āĻ—োāϧূāϞি āĻĨেāĻ•ে āĻ•াāϞো āϰাāϤ্āϰিāϰ āĻĻিāĻ•ে āĻ…āύিāĻŦাāϰ্āϝāĻ­াāĻŦে āφāĻ—ুāϝ়াāύ āĻšāĻ“āϝ়াāĻ•ে āĻŦোāĻাāϝ় āϝা āĻŦāĻ•্āϤাāϰ āĻŦাāϰ্āϧāĻ•্āϝ āϚেāϤāύা āĻāĻŦং āĻ…āύাāĻ—āϤ āĻŽৃāϤ্āϝুāĻ•ে āĻĒ্āϰāϤিāĻĢāϞিāϤ āĻ•āϰে।]
Q: Describe the depth of the speaker's relationship with the beloved.
[āĻŦāĻ•্āϤাāϰ āϏাāĻĨে āĻĒ্āϰিāϝ়āϜāύেāϰ āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻ—āĻ­ীāϰāϤা āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker's relationship with the beloved is intimate, loving, and affectionate. The tender attitude of the poet towards his beloved marks the depth of the relationship.
[āĻĒ্āϰিāϝ়āϜāύেāϰ āϏাāĻĨে āĻŦāĻ•্āϤাāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āϘāύিāώ্āĻ , āĻĒ্āϰেāĻŽāĻŽāϝ় āĻāĻŦং āϏ্āύেāĻšāĻĒূāϰ্āĻŖ। āĻĒ্āϰিāϝ় āĻŦ্āϝāĻ•্āϤিāϰ āĻĒ্āϰāϤি āĻŦāĻ•্āϤাāϰ āĻ•োāĻŽāϞāϤা āϏāĻŽ্āĻĒāϰ্āĻ•āϟিāϰ āĻ—āĻ­ীāϰāϤা āύিāϰ্āϧাāϰāĻŖ āĻ•āϰে।]
Q: "When yellow... do hang"—What do the yellow leaves symbolize in this line?
['āϝāĻ–āύ āĻšāϞুāĻĻ āĻĒাāϤাāĻ—ুāϞি āϏāĻŦ āĻāϰে āϝাāϝ় āĻŦা āĻĻু-āĻāĻ•āϟি āϰāϝ়ে āϝাāϝ়'—āĻĒāĻ™āĻ•্āϤিāϟিāϤে āĻŦāϰ্āĻŖিāϤ āĻšāϞুāĻĻ āĻĒাāϤাāĻ—ুāϞি āĻ•ীāϏেāϰ āĻĒ্āϰāϤীāĻ•?]
Ans. The "yellow leaves" symbolize the process of aging in human life which is followed by death. These 'yellow leaves' also indicate the old age of the poet.
['āĻšāϞুāĻĻ āĻĒাāϤাāĻ—ুāϞি' āĻŦāϝ়āϏেāϰ āĻ•্āϰāĻŽāĻŦৃāĻĻ্āϧিāĻ•ে āĻĒ্āϰāϤীāĻ•াāϝ়িāϤ āĻ•āϰে āϝাāϰ āĻĒāϰে āĻŽৃāϤ্āϝু āφāϏে। āĻšāϞুāĻĻ āĻĒাāϤাāĻ—ুāϞি āĻ•āĻŦিāϰ āĻŦৃāĻĻ্āϧ āĻŦāϝ়āϏāĻ•েāĻ“ āĻŦোāĻাāϝ়।]
Q: Describe the speaker's tone in the Sonnet 73?
[āϏāύেāϟে āĻŦāĻ•্āϤাāϰ āĻŽূāϞ āĻ­াāĻŦāϟি āĻŦāϰ্āĻŖāύা āĻ•āϰো?]
Ans. The speaker's tone is melancholic, reflective, and somber. Beneath this sadness, there is also a tone of deep affection and emotional intimacy.
[āĻŦāĻ•্āϤাāϰ āĻ­াāĻŦāϟি āĻŦিāώāĻŖ্āĻŖ, āϚিāύ্āϤাāĻļীāϞ āĻāĻŦং āĻšāϤাāĻļাāĻŦ্āϝāĻž্āϜāĻ•। āϝāĻĻিāĻ“ āĻāχ āĻŦিāώāĻŖ্āĻŖāϤাāϰ āĻŽāϧ্āϝে āĻ—āĻ­ীāϰ āĻ…āύুāϰাāĻ— āĻ“ āĻ…āύ্āϤāϰāĻ™্āĻ—āϤাāϰ āφāĻŦেāĻ— āφāĻ›ে।]
Q: What does the speaker compare himself with?
[āĻŦāĻ•্āϤা āύিāϜেāϰ āϏāĻ™্āĻ—ে āĻ•ীāϏেāϰ āϤুāϞāύা āĻ•āϰেāύ?]
Ans. The speaker compares himself to a tree in late autumn with yellow leaves symbolizing the later years of life when vitality is fading just as autumn precedes winter.
[āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻļāϰāϤেāϰ āĻšāϞুāĻĻ āĻĒাāϤাāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ āϝা āĻŦাāϰ্āϧāĻ•্āϝেāϰ āĻĒ্āϰāϤীāĻ• āĻāĻŦং āϜীāĻŦāύেāϰ āĻĒāϰāĻŦāϰ্āϤী āĻŦāĻ›āϰ āĻ—ুāϞিāĻ•ে āĻĒ্āϰāϤীāĻ•াāϝ়িāϤ āĻ•āϰে āϝāĻ–āύ āϏāĻ•্āϰিāϝ়āϤা āĻŽ্āϰিāϝ়āĻŽাāύ āĻšāĻŦে āϝেāĻŽāύ āĻļীāϤেāϰ āφāĻ—ে āĻļāĻ°ā§Ž āĻĨাāĻ•ে।]
Q: Describe the speaker's attitude towards the beloved.
[āĻĒ্āϰিāϝ়āϜāύেāϰ āĻĒ্āϰāϤি āĻŦāĻ•্āϤাāϰ āĻŽāύোāĻ­াāĻŦ āĻŦāϰ্āĻŖāύা āĻ•āϰো?]
Ans. The speaker's attitude towards the beloved is loving and affectionate. The speaker's words convey his tenderness and concern.
[āĻĒ্āϰিāϝ়āϜāύেāϰ āĻĒ্āϰāϤি āĻŦāĻ•্āϤাāϰ āĻĒ্āϰেāĻŽ āĻ“ āĻ­াāϞোāĻŦাāϏাāϰ āĻ…āύুāĻ­ূāϤি āĻŦāϰ্āϤāĻŽাāύ। āĻŦāĻ•্āϤাāϰ āĻŦāĻ•্āϤāĻŦ্āϝে āϤাāϰ āĻĒ্āϰāϤি āĻ•োāĻŽāϞāĻ­াāĻŦ āĻ“ āωāĻĻ্āĻŦেāĻ—āĻĒ্āϰāĻŦāĻŖāϤা āϰāϝ়েāĻ›ে।]
Q: What is the main argument of the poem?
[āĻ•āĻŦিāϤাāϟিāϤে āύিāĻšিāϤ āĻŽূāϞ āϝুāĻ•্āϤিāϟি āĻ•ী?]
Ans. The main argument of 'Sonnet-73' is that love becomes stronger as it faces the inevitability of mortality.
[āϏāύেāϟ-ā§­ā§Š āĻ•āĻŦিāϤাāϟিāϰ āĻŽূāϞ āϝুāĻ•্āϤিāϟি āĻšāϞ āĻāχ āϝে āĻ…āĻŽোāϘ āύāĻļ্āĻŦāϰāϤাāϰ āĻŽুāĻ–োāĻŽুāĻ–ি āĻĻাঁāĻĄ়িāϝ়েāĻ“ āĻ­াāϞোāĻŦাāϏা āĻĻৃāĻĸ় āĻĨেāĻ•ে āĻĻৃāĻĸ়āϤāϰ āĻšāϝ়ে āĻ“āĻ ে।]
Q: How does the poem conclude?
[āĻ•āĻŦিāϤাāϟি āĻ•ীāĻ­াāĻŦে āĻļেāώ āĻšāϝ়?]
Ans. The poem concludes with a reflective tone on mortality and the passing of time. It also emphasizes the theme of cherishing love and relationship in the face of mortality.
[āĻ•āĻŦিāϤাāϟি āĻļেāώ āĻšāϝ়েāĻ›ে āύāĻļ্āĻŦāϰāϤা āĻāĻŦং āϏāĻŽāϝ়েāϰ āĻŦিāĻŦāϰ্āϤāύেāϰ āĻĒ্āϰāϤিāĻĢāϞāύেāϰ āĻ­াāĻŦ āĻĻিāϝ়ে। āĻ•āĻŦিāϤাāϟি āύāĻļ্āĻŦāϰāϤাāϰ āĻĻ্āĻŦাāϰāĻĒ্āϰাāύ্āϤে āωāĻĒāύীāϤ āĻšāϝ়েāĻ“ āĻĒ্āϰেāĻŽেāϰ āĻŽোāĻšিāύীāϰূāĻĒ āĻāĻŦং āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āωāĻĒāϰে āϜোāϰ āĻĻেāϝ়।]
Q: Describe the reason behind the speaker's comparison of himself to late autumn.
[āĻļāϰāϤেāϰ āĻļেāώেāϰ āĻĻিāĻ•েāϰ āϏāĻŽāϝ়েāϰ āϏাāĻĨে āĻŦāĻ•্āϤাāϰ āύিāϜেāĻ•ে āϤুāϞāύা āĻ•āϰাāϰ āĻ•াāϰāĻŖ āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker compares himself to a tree in autumn that has lost its leaves, symbolizing the decline of life and vitality. He wants to demonstrate his own physical age and condition.
[āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻāĻŽāύ āĻāĻ•āϟি āĻļāϰāϤেāϰ āĻ—াāĻ›েāϰ āϏাāĻĨে āϤুāϞāύা āĻ•āϰেāύ āϝাāϰ āĻĒাāϤা āĻšাāϰিāϝ়ে āĻ—েāĻ›ে, āϝা āϜীāĻŦāύ āĻ“ āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϰ āĻ•্āώāϝ়েāϰ āĻĒ্āϰāϤীāĻ•। āϤিāύি āϤাঁāϰ āύিāϜেāϰ āĻŦāϝ়āϏ āĻ“ āĻ…āĻŦāϏ্āĻĨাāĻ•ে āĻĻেāĻ–াāϤে āϚাāύ।]
Q: Describe the poet's perspective on mortality.
[āĻŽāϰāĻŖāĻļীāϞāϤা āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ•āĻŦিāϰ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—ি āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The poet views mortality as an inevitable and universal fate that awaits everyone. This perspective touches on the idea that human life is controlled by natural law and not infinite. The poem makes it clear that aging and death are inevitable.
[āĻ•āĻŦি āĻŽāϰāĻŖāĻļীāϞāϤাāĻ•ে āĻāĻ•āϟি āĻ…āĻĒ্āϰāϤিāϰোāϧ্āϝ āĻ…āĻĻৃāώ্āϟ āĻŦāϞে āĻŦāϰ্āĻŖāύা āĻ•āϰেāĻ›েāύ āϝাāϰ āĻĒ্āϰāϤীāĻ•্āώা āϏāĻ•āϞāĻ•ে āĻ•āϰāϤে āĻšāϝ়। āĻāχ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—ী āĻ›ুঁāϝ়ে āϝাāϝ় āĻāχ āϧাāϰāĻŖাāĻ•ে āϝে āĻŽাāύāĻŦāϜীāĻŦāύ āĻĒ্āϰাāĻ•ৃāϤিāĻ• āύিāϝ়āĻŽ āĻĻ্āĻŦাāϰা āύিāϝ়āύ্āϤ্āϰিāϤ āĻāĻŦং āϚিāϰāĻ•াāϞীāύ āύāϝ়। āĻ•āĻŦিāϤাāϟি āĻāϟা āύিāĻļ্āϚিāϤ āĻ•āϰে āϝে āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻ“āϝ়া āĻāĻŦং āĻŽৃāϤ্āϝু āĻ…āύিāĻŦাāϰ্āϝ।]
Q: How is youth mentioned in the poem?
[āĻ•āĻŦিāϤাāϝ় āϝৌāĻŦāύāĻ•ে āĻ•ীāĻ­াāĻŦে āωāϞ্āϞেāĻ– āĻ•āϰা āĻšāϝ়েāĻ›ে?]
Ans. The speaker's youth is described as having been full of life and vitality. The vitality and strength of youth has been depicted in comparison with aging and mortality.
[āĻŦāĻ•্āϤা āĻŦāϰ্āĻŖিāϤ āϝৌāĻŦāύেāϰ āĻŦিāĻŦāϰāĻŖāϟি āĻšāϞ āĻĒ্āϰাāĻŖāĻĒ্āϰাāϚুāϰ্āϝে āĻ­āϰāĻĒুāϰ। āϝৌāĻŦāύেāϰ āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāĻ•ে āĻāĻ–াāύে āĻŦাāϰ্āϧāĻ•্āϝ āĻāĻŦং āύāĻļ্āĻŦāϰāϤাāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰা āĻšāϝ়েāĻ›ে।]
Q: "Which by and by black night doth take away"—What does black night refer to in the poem?
["āϤাāϰāĻĒāϰ āϧীāϰে āϧীāϰে āĻ•াāϞোāϰাāϤ āĻ—্āϰাāϏ āĻ•āϰে āĻĻিāύāϟিāĻ•ে" āĻ•āĻŦিāϤাāϝ় āĻŦāϰ্āĻŖিāϤ āĻ•াāϞো āϰাāϤ āĻĻ্āĻŦাāϰা āĻ•ী āĻŦোāĻাāϤে āϚাāĻ“āϝ়া āĻšāϝ়েāĻ›ে?]
Ans. Black night refers to the forthcoming darkness which symbolizes impending death.
[āĻ•াāϞো āϰাāϤ āĻĻ্āĻŦাāϰা āφāϏāύ্āύ āĻ…āύ্āϧāĻ•াāϰ āĻ•ে āĻŦোāĻাāύো āĻšāϝ়েāĻ›ে āϝা āĻĒ্āϰāϤীāĻ•ীāĻ­াāĻŦে āĻ…āύাāĻ—āϤ āĻŽৃāϤ্āϝুāϰ āĻ•āĻĨা āĻŦāϞে।]
Q: What is the tone of the poem's final couplet?
[āĻ•āĻŦিāϤাāϰ āĻļেāώ āĻĻুāχāϟি āĻ›āϤ্āϰেāϰ āĻ­াāĻŦāϟি āĻ•ী?]
Ans. The tone of the final couplet is intimate, urgent, and affectionate. It offers a note of strong love.
[āĻļেāώেāϰ āĻ›āϤ্āϰāϟিāϰ āϏুāϰāϟি āĻ…āύ্āϤāϰāĻ™্āĻ—, āϜāϰুāϰি āĻāĻŦং āϏ্āύেāĻšāĻĒূāϰ্āĻŖ। āĻāϟি āĻĻৃāĻĸ় āĻ­াāϞোāĻŦাāϏাāϰ āĻ•āĻĨা āĻŦāϞে।]
Q: Why has the poet mentioned "yellow leaves"?
[āĻŦāĻ•্āϤা āĻšāϞুāĻĻ āĻĒাāϤাāϰ āĻŦāϰ্āĻŖāύা āĻ•েāύ āĻĻেāύ?]
Ans. "Yellow leaves" symbolize the decline and aging of the speaker. The speaker intends his readers to assume his age.
['āĻšāϞুāĻĻ āĻĒাāϤা' āĻŦāĻ•্āϤাāϰ āĻ…āĻŦāĻ•্āώāϝ় āĻāĻŦং āĻŦাāϰ্āϧāĻ•্āϝেāϰ āĻĒ্āϰāϤীāĻ•। āĻŦāĻ•্āϤা āϚাāύ āϤাঁāϰ āĻĒাāĻ āĻ• āϤাঁāϰ āĻŦāϝ়āϏ āϏāĻŽ্āĻŦāύ্āϧে āϜাāύুāĻ•।]
Q: How has the speaker's youth been described in the poem?
[āĻ•āĻŦিāϤাāϟিāϤে āĻŦāĻ•্āϤাāϰ āϝৌāĻŦāύেāϰ āĻŦāϰ্āĻŖāύা āĻ•ীāĻ­াāĻŦে āĻĻেāĻ“āϝ়া āĻšāϝ়েāĻ›ে?]
Ans. The speaker's youth is described as having been full of life and vitality. It is always shown in contrast to his present decline, emphasizing how time transforms vibrancy into fragility.
[āĻŦāĻ•্āϤাāϰ āϝৌāĻŦāύ āϜীāĻŦāύ āĻāĻŦং āĻĒ্āϰাāĻŖāĻļāĻ•্āϤিāϤে āĻĒāϰিāĻĒূāϰ্āĻŖ āĻ›িāϞ āĻŦāϞে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে। āĻāϟি āĻŦāĻ•্āϤাāϰ āĻŦāϰ্āϤāĻŽাāύ āĻ•্āώāϝ়িāώ্āĻŖুāϤাāĻ•ে āĻŦিāĻĒāϰীāϤে āϰেāĻ–ে āϏāĻŽāϝ় āĻ•ীāĻ­াāĻŦে āĻĒ্āϰাāĻŖāϚাāĻž্āϚāϞ্āϝāĻ•ে āĻ­āĻ™্āĻ—ুāϰāϤাāϝ় āĻĒāϰিāĻŦāϰ্āϤিāϤ āĻ•āϰে āϤাāϰ āωāĻĒāϰ āϜোāϰ āĻĻেāϝ়।]
Q: Describe the use of imagery in the first quatrain of the sonnet.
[āϏāύেāϟেāϰ āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻ•ে āĻŦāϰ্āĻŖিāϤ āϚিāϤ্āϰāĻ•āϞ্āĻĒেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The imagery used in the first quatrain is vivid and evocative, creating powerful pictures of decline and mortality.
[āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻ•ে āĻŦāϰ্āĻŖিāϤ āϚিāϤ্āϰāĻ•āϞ্āĻĒāϟি āϏ্āĻĒāώ্āϟ āϝা āĻ•্āώāϝ় āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻļāĻ•্āϤিāĻļাāϞী āϚিāϤ্āϰ āϤৈāϰি āĻ•āϰে।]
Q: What is the importance of metaphor in the sonnet?
[āϏāύেāϟে āϰূāĻĒāĻ•েāϰ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻ—ুāϰুāϤ্āĻŦ āĻ•ী?]
Ans. Metaphors are important because they compare the speaker to a tree, twilight, and glowing embers. These metaphors are crucial for conveying the speaker's aging and approaching death and for highlighting the fleeting nature of life and the enduring power of love.
[āϰূāĻĒāĻ•āĻ—ুāϞি āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻ•াāϰāĻŖ āĻāϰ āĻĻ্āĻŦাāϰা āĻŦāĻ•্āϤাāĻ•ে āĻāĻ•āϟি āĻ—াāĻ›, āĻ—োāϧূāϞি āĻāĻŦং āϜ্āĻŦāϞāύ্āϤ āĻ…āĻ™্āĻ—াāϰেāϰ āϏাāĻĨে āϤুāϞāύা āĻ•āϰা āĻšāϝ়েāĻ›ে। āϰূāĻĒāĻ•āĻ—ুāϞি āĻŦāĻ•্āϤাāϰ āĻŦাāϰ্āϧāĻ•্āϝ āĻ“ āĻ…āύাāĻ—āϤ āĻŽৃāϤ্āϝুāϰ āϧাāϰāĻŖাāϟিāĻ•ে āωāϞ্āϞেāĻ–āϝোāĻ—্āϝāĻ­াāĻŦে āĻŦ্āϝাāĻ–্āϝা āĻ•āϰে āĻāĻŦং āϜীāĻŦāύেāϰ āĻŦāĻšāĻŽাāύāϤা āĻāĻŦং āĻ­াāϞোāĻŦাāϏাāϰ āĻ…āϏীāĻŽ āĻļāĻ•্āϤিāϰ āωāĻĒāϰ āφāϞোāĻ•āĻĒাāϤ āĻ•āϰে।]
Q: How is 'twilight' related to the speaker?
[āĻŦāĻ•্āϤাāϰ āϏāĻ™্āĻ—ে āĻ—োāϧূāϞি āĻŦেāϞাāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āĻ•ী?]
Ans. The speaker describes himself as in the twilight of his life, with fading vitality. He uses the metaphor of twilight to demonstrate the limitation of time.
[āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āϜীāĻŦāύেāϰ āĻ—োāϧূāϞিāĻŦেāϞাāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ āϝāĻ–āύ āϜীāĻŦāύীāĻļāĻ•্āϤি āύিঃāĻļেāώ āĻšāϝ়ে āφāϏāĻ›ে। āϤিāύি 'āĻ—োāϧূāϞি'āϰ āϰূāĻĒāĻ•āϟিāϰ āĻŽাāϧ্āϝāĻŽে āϤাāϰ āϏীāĻŽিāϤ āϏāĻŽāϝ়েāϰ āĻ•āĻĨা āĻŦোāĻাāϤে āϚাāύ।]
Q: How is the fire nourished? How can fire be consumed by the very thing that nourished it?
[āϝে āĻ•াāĻ āϟি āφāĻ—ুāύāĻ•ে āϜ্āĻŦāϞāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে āϤাāĻ•ে āφāĻ—ুāύ āĻ•িāĻ­াāĻŦে āĻ—্āϰাāϏ āĻ•āϰে?]
Ans. The glowing of fire is a suggestive phrase which means that the fire has consumed the fuel and there is no more fuel to produce the flame. It is similar to youth time that has changed.
[āφāĻ—ুāύেāϰ āϞেāϞিāĻšাāύ āĻļিāĻ–া āĻāĻ•āϟি āχāĻ™্āĻ—িāϤāĻĒূāϰ্āĻŖ āĻŦাāĻ•্āϝāĻŦāύ্āϧ āϝেāϟি āĻŦোāĻাāϝ় āϝে āφāĻ—ুāύ āϤাāϰ āϜ্āĻŦাāϞাāύিāĻ•ে āĻ—্āϰাāϏ āĻ•āϰে āĻĢেāϞেāĻ›ে āĻāĻŦং āφāϰ āϜ্āĻŦাāϞাāύি āĻ…āĻŦāĻļিāώ্āϟ āύেāχ āϝা āĻĒুāύāϰাāϝ় āφāĻ—ুāύ āϜ্āĻŦাāϞাāϤে āĻĒাāϰে। āĻāϟি āϝৌāĻŦāύেāϰ āϏāĻŽাāϰ্āĻĨāĻ• āϝা āĻāĻ–āύ āĻĒāϰিāĻŦāϰ্āϤিāϤ āĻšāϝ়েāĻ›ে।]
Q: What is the description of the speaker's message to the beloved?
[āĻĒ্āϰিāϝ়āϜāύেāϰ āĻ•াāĻ›ে āĻĻেāĻ“āϝ়া āĻŦāĻ•্āϤাāϰ āĻŦাāϰ্āϤাāϟি āĻŦāϰ্āĻŖāύা āĻ•āϰো।]
Ans. The speaker's message is to appreciate the time they have together. He also urges him to love more intensely.
[āĻŦāĻ•্āϤাāϰ āĻŦাāϰ্āϤা āĻšāϞ āĻĻুāϜāύেāϰ āĻāĻ•āϏাāĻĨে āĻ•াāϟাāύো āϏāĻŽāϝ়েāϰ āĻŽāϰ্āĻŽ āωāĻĒāϞāĻŦ্āϧি āĻ•āϰা। āϤিāύি āϤাঁāĻ•ে āφāϰāĻ“ āϤীāĻŦ্āϰāĻ­াāĻŦে āĻ­াāϞোāĻŦাāϏāϤে āĻŦāϞেāύ।]
Q: What does the speaker in Sonnet 73 compare himself to and what do these comparisons share?
[āϏāύেāϟ-ā§­ā§Š āĻ•āĻŦিāϤাāϝ় āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻ•ীāϏেāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāύ āĻāĻŦং āĻāχ āϤুāϞāύা āĻĨেāĻ•ে āĻ•ী āĻŦোāĻা āϝাāϝ়?]
Ans. In Sonnet 73, the speaker compares himself to the yellow leaves of autumn, ruined church, twilight, sunset and a glowing ember of ashes. These comparisons signify his old age and gradual decay with time leading him towards the culmination of life's journey, i.e. death.
[āϏāύেāϟ-ā§­ā§Š āĻ•āĻŦিāϤাāϝ় āĻŦāĻ•্āϤা āύিāϜেāĻ•ে āĻļāϰāϤেāϰ āĻšāϞুāĻĻ āϰāĻ™া āĻĒাāϤাāĻ—ুāϞিāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰেāĻ›েāύ, āϤুāϞāύা āĻ•āϰেāĻ›েāύ āĻĒāϰিāϤ্āϝāĻ•্āϤ āĻ—ীāϰ্āϜাāϰ, āĻ—োāϧূāϞি, āϏূāϰ্āϝাāϏ্āϤেāϰ āĻāĻŦং āϜ্āĻŦāϞāύ্āϤ āĻ…āĻ™্āĻ—াāϰেāϰ āϏāĻ™্āĻ—ে। āĻāχ āϤুāϞāύাāĻ—ুāϞি āϤাঁāϰ āĻŦৃāĻĻ্āϧাāĻŦāϏ্āĻĨাāĻ•ে āĻāĻŦং āϏāĻŽāϝ়েāϰ āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āφāϏা āĻ•্āώāϝ়āĻ•ে āĻŦোāĻাāϝ় āϝা āϤাঁāĻ•ে āϤাঁāϰ āϜীāĻŦāύেāϰ āϚূāĻĄ়াāύ্āϤ āϝাāϤ্āϰা āĻ…āϰ্āĻĨাā§Ž āĻŽৃāϤ্āϝুāϰ āĻĻিāĻ•ে āĻāĻ—িāϝ়ে āύিāϝ়ে āϝাāϝ়।]
Q: What is your idea about the poet's emotional state while writing the poem?
[āϤোāĻŽাāϰ āĻŽāϤে āϏāύেāϟ-ā§­ā§Š āĻ•āĻŦিāϤাāϟি āϰāϚāύাāϰ āϏāĻŽāϝ় āĻ•āĻŦিāϰ āĻŽাāύāϏিāĻ• āĻ…āĻŦāϏ্āĻĨা āĻ•ী āĻĒ্āϰāĻ•াāϰ āĻ›িāϞ?]
Ans. The poet's emotional state is melancholic, reflective and introspective, with a sense of acceptance and resignation while writing the poem.
[āĻ•āĻŦি āϝāĻ–āύ āĻ•āĻŦিāϤাāϟি āϞেāĻ–েāύ āϤāĻ–āύ āϤিāύি āĻ›িāϞেāύ āĻŽাāύāϏিāĻ•āĻ­াāĻŦে āĻŦিāώāĻŖ্āĻŖ, āϚিāύ্āϤাāĻļীāϞ āĻāĻŦং āφāϤ্āĻŽāĻĻāϰ্āĻļী āϝাāϰ āĻŽāϧ্āϝে āĻ…āϏāĻšাāϝ়āϤা āĻāĻŦং āϤাāϰ āϏ্āĻŦীāĻ•ৃāϤিāϰ āĻŦিāώāϝ়āϟি āĻŦāϰ্āϤāĻŽাāύ āĻ›িāϞ।]

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