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Sonnet 73: Short Q&A
WBCHSE Class XII | Semester 4
By PKG SIR | www.pkgway.in
Q: What is the rhyme scheme used in the poem?
[āĻāĻŦিāϤাāĻিāϤে āĻী āĻĒ্āϰāĻাāϰ āĻŽিāϞāĻŦিāύ্āϝাāϏ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻে?]
Ans. The rhyme scheme used in the poem follows the traditional structure of a Shakespearean sonnet, such as ABAB CDCD EFEF GG.
[āĻāĻŦিāϤাāĻিāϤে āĻļেāĻ্āϏāĻĒিāϝ়āϰেāϰ āϏāύেāĻেāϰ āĻĒ্āϰāĻĨাāĻāϤ āĻŽিāϞāĻŦিāύ্āϝাāϏ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻে āϝা āĻšāϞ āĻāĻŦিāĻāĻŦি āϏিāĻĄিāϏিāĻĄি āĻāĻāĻĢāĻāĻāĻĢ āĻিāĻি।]
Q: How does the speaker describe the coming of the night?
[āĻŦāĻ্āϤা āϰাāϤেāϰ āĻāĻāĻŽāύেāϰ āĻŦāϰ্āĻŖāύা āĻীāĻাāĻŦে āĻĻিāϝ়েāĻেāύ?]
Ans. The speaker describes the coming of the night as the "black night" that takes the light after the sunset. This represents the finality of death, enveloping all that was once vibrant.
[āĻŦāĻ্āϤা āϰাāϤেāϰ āĻāĻāĻŽāύāĻে "āĻাāϞো āϰাāϤ" āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻāϰেāĻেāύ, āϝা āϏূāϰ্āϝাāϏ্āϤেāϰ āĻĒāϰ āĻāϞোāĻে āĻ্āϰাāϏ āĻāϰে। āĻāĻি āĻŽৃāϤ্āϝু āĻ āĻূāĻĄ়াāύ্āϤ āĻ
āĻŦāϏাāύেāϰ āĻĒ্āϰāϤীāĻ, āϝা āĻāĻ āϏāĻŽāϝ়েāϰ āĻāĻ্āĻ্āĻŦāϞāϤাāĻে āĻāĻ্āĻাāĻĻিāϤ āĻāϰে āĻĢেāϞে।]
Q: Describe the image of the glowing embers.
[āĻ্āĻŦāϞāύ্āϤ āĻ
āĻ্āĻাāϰেāϰ āĻিāϤ্āϰāĻি āĻŦ্āϝাāĻ্āϝা āĻāϰো।]
Ans. The glowing embers represent the fading remains of life and vitality. The spirit of youth is now diminishing and leaving nothing but embers.
[āĻ্āĻŦāϞāύ্āϤ āĻ
āĻ্āĻাāϰ āĻীāĻŦāύেāϰ āύিāĻে āĻāϏা āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϰ āĻĻ্āϝোāϤāĻ। āϝৌāĻŦāύেāϰ āĻĻীāĻĒ্āϤি āĻāĻāύ āĻĒ্āϰাāϝ় āύিāĻে āĻāϏāĻে, āϰেāĻে āϝাāĻ্āĻে āĻļুāϧুāĻŽাāϤ্āϰ āĻ
āĻ্āĻাāϰ।]
Q: What season does the speaker compare himself to in the first quatrain of the poem, 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϰ āĻĒ্āϰāĻĨāĻŽ āĻাāϰ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻŦāĻ্āϤা āύিāĻেāĻে āĻোāύ āĻāϤুāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ?]
Ans. In the first quatrain of 'Sonnet 73', the speaker compares himself to autumn, a time with yellowing leaves and bare branches symbolizing ageing and passage of time and suggesting that his life is in later ages.
["Sonnet 73" āĻāĻŦিāϤাāϰ āĻĒ্āϰāĻĨāĻŽ āĻাāϰ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻŦāĻ্āϤা āύিāĻেāĻে āĻļāϰ⧠āĻāϤুāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ। āĻļāϰā§āĻাāϞ āĻšāϞ āĻāĻŽāύ āĻāĻāĻি āϏāĻŽāϝ়, āϝāĻāύ āĻাāĻেāϰ āĻĒাāϤা āĻšāϞāĻĻে āĻšāϝ়ে āϝাāϝ় āĻāĻŦং āĻĄাāϞāĻĒাāϞা āĻļূāύ্āϝ āĻĨাāĻে—āĻāĻি āĻŦাāϰ্āϧāĻ্āϝ āĻ āϏāĻŽāϝ়েāϰ āĻ
āϤিāĻ্āϰāĻŽāĻŖেāϰ āĻĒ্āϰāϤীāĻ। āĻāĻ āϤুāϞāύাāϰ āĻŽাāϧ্āϝāĻŽে āĻŦāĻ্āϤা āĻŦোāĻাāύ āϝে āϤাঁāϰ āĻীāĻŦāύ āĻāĻāύ āĻļেāώ āĻĒāϰ্āĻŦে, āĻ
āϰ্āĻĨাā§ āĻŦাāϰ্āϧāĻ্āϝেāϰ āĻĻিāĻে āĻāĻোāĻ্āĻে।]
Q: Describe the speaker's emotional state in Sonnet 73.
[āϏāύেāĻে ā§ā§Š-āĻ āĻŦāĻ্āϤাāϰ āĻŽাāύāϏিāĻ āĻ
āĻŦāϏ্āĻĨা āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker's emotional state is melancholic, reflective, and introspective, with a sense of acceptance and resignation.
[āĻŦāĻ্āϤাāϰ āĻŽাāύāϏিāĻ āĻ
āĻŦāϏ্āĻĨা āĻŦিāώāĻŖ্āĻŖ, āĻিāύ্āϤাāĻļীāϞ āĻāĻŦং āĻāϤ্āĻŽāĻĻāϰ্āĻļāύāĻŽূāϞāĻ, āϝাāϰ āĻŽāϧ্āϝে āĻ্āϰāĻšāĻŖāϝোāĻ্āϝāϤা āĻāĻŦং āĻāϤ্āĻŽāϤ্āϝাāĻেāϰ āĻ
āύুāĻূāϤি āϰāϝ়েāĻে।]
Q: What does the poet mean by the line "That on the ashes of his youth doth lie"?
[āϞাāĻāύāĻিāϰ āĻŽাāϧ্āϝāĻŽে āĻāĻŦি āĻী āĻŦোāĻাāϤে āĻেāϝ়েāĻেāύ?]
Ans. This line means that the speaker's remaining vitality lies on the ashes of his youth which is now fading like a dying fire.
[āĻāĻ āϞাāĻāύāĻিāϰ āĻŽাāϧ্āϝāĻŽে āĻŦোāĻাāύো āĻšāϝ়েāĻে āϝে āĻŦāĻ্āϤাāϰ āĻ
āĻŦāĻļিāώ্āĻ āĻĒ্āϰাāĻŖāĻļāĻ্āϤি āϤাāϰ āϝৌāĻŦāύেāϰ āĻাāĻāϝ়েāϰ āĻāĻĒāϰ āĻ
āĻŦāϏ্āĻĨিāϤ, āϝা āĻāĻāύ āĻāĻāĻি āύিāĻে āϝাāĻāϝ়া āĻāĻুāύেāϰ āĻŽāϤো āĻ্āώীāĻŖ āĻšāϝ়ে āĻāϏāĻে।]
Q: What time of the day does the speaker compare himself to?
[āĻŦāĻ্āϤা āύিāĻেāĻে āĻĻিāύেāϰ āĻোāύ āϏāĻŽāϝ়েāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ?]
Ans. The speaker compares himself to twilight, the time just after sunset. This metaphor signifies the waning light of life, with darkness (death) approaching indicating his life's ending stage.
[āĻŦāĻ্āϤা āύিāĻেāĻে āϏূāϰ্āϝাāϏ্āϤেāϰ āĻ িāĻ āĻĒāϰেāϰ āϏāĻŽāϝ় āĻ
āϰ্āĻĨাā§ āĻোāϧূāϞিāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ। āĻāĻ āϰূāĻĒāĻāĻি āĻীāĻŦāύেāϰ āĻ
āĻŦāϏাāύāĻাāϞ āĻŦোāĻাāϤে āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻে, āϝেāĻাāύে āĻāϞোāĻেāϰ āĻ্āώāϝ় āĻ āĻ
āύ্āϧāĻাāϰেāϰ āĻāĻāĻŽāύ (āĻŽৃāϤ্āϝু) āĻĒ্āϰāϤিāĻĢāϞিāϤ āĻšāϝ়। āĻāĻি āϤাāϰ āĻীāĻŦāύেāϰ āĻļেāώ āĻĒāϰ্āϝাāϝ়āĻে āĻāĻ্āĻিāϤ āĻāϰে।]
Q: Describe the use of personification in the sonnet.
[āϏāύেāĻে āĻŦāϰ্āĻŖিāϤ āĻāϰোāĻĒিāϤ āĻŦ্āϝāĻ্āϤিāϤ্āĻŦেāϰ āĻŦāϰ্āĻŖāύা āĻĻাāĻ।]
Ans. Time and death are personified in the sonnet as agents that consume and destroy human life. Shakespeare employs personification to deepen the poem's exploration of aging and mortality.
[āϏāύেāĻāĻিāϤে āϏāĻŽāϝ় āĻāĻŦং āĻŽৃāϤ্āϝুāĻে āĻĒ্āϰāϤিāύিāϧি āĻšিāϏেāĻŦে āĻিāϤ্āϰিāϤ āĻāϰা āĻšāϝ়েāĻে āϝা āĻŽাāύুāώেāϰ āĻীāĻŦāύāĻে āĻ্āϰāĻŽে āĻ্āϰাāϏ āĻāϰে। āĻļেāĻ্āϏāĻĒিāϝ়āϰ āĻāĻŦিāϤাāĻিāϤে āĻŦ্āϝāĻ্āϤিāϤ্āĻŦ āĻāϰোāĻĒেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰেāĻেāύ āĻŦāϝ়āϏāĻŦৃāĻĻ্āϧি āĻāĻŦং āĻŽāϰāĻŖāĻļীāϞāϤাāϰ āĻ
āύ্āĻŦেāώāĻŖেāϰ āĻāĻীāϰāϤা āĻŦোāĻাāϤে।]
Q: What does the 'ash' refer here?
[āĻাāĻ āĻীāϏেāϰ āĻĒ্āϰāϤীāĻ āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻে?]
Ans. Ashes refer to the remains of something that was once full of life. Just as firewood transforms to ash after its energy is spent, the speaker's youthful strength, passion and vitality has been consumed by time.
[āĻাāĻ āĻāĻŽāύ āĻিāĻুāϰ āĻ
āĻŦāĻļিāώ্āĻাংāĻļেāϰ āĻĒ্āϰāϤীāĻ āϝা āĻāĻāϏāĻŽāϝ় āĻĒ্āϰাāĻŖে āĻĒূāϰ্āĻŖ āĻিāϞ। āĻ িāĻ āϝেāĻŽāύ āĻāϰে āĻ্āĻŦাāϞাāύি āĻাāĻāϝ়ে āĻĒāϰিāĻŖāϤ āĻšāϝ় āϤাāϰ āϏāĻŽāϏ্āϤ āĻļāĻ্āϤি āĻļেāώ āĻšāĻāϝ়াāϰ āĻĒāϰ, āĻŦāĻ্āϤাāϰ āϝৌāĻŦāύāĻļāĻ্āϤি, āĻāĻŦেāĻ āĻāĻŦং āϏāĻ্āϰিāϝ়āϤা āϏāĻŽāϝ়েāϰ āĻĻ্āĻŦাāϰা āĻ্āϰাāϏ āĻšāϝ়ে āϝাāĻŦে।]
Q: How does the poem explore the theme of decline?
[āĻāĻŦিāϤাāĻি āĻ্āώāϝ়েāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāĻে āĻীāĻাāĻŦে āĻ
āύ্āĻŦেāώāĻŖ āĻāϰে?]
Ans. The poem explores decline through imagery and metaphor. The poem also emphasizes on mortality underscoring the theme of decline.
[āĻāĻŦিāϤাāĻি āĻিāϤ্āϰāĻāϞ্āĻĒ āĻāĻŦং āϰূāĻĒāĻেāϰ āĻŽাāϧ্āϝāĻŽে āĻ্āώāϝ়েāϰ āĻŦিāώāϝ়āĻিāĻে āĻ
āύ্āĻŦেāώāĻŖ āĻāϰে। āĻāĻŦিāϤাāĻি 'āύāĻļ্āĻŦāϰāϤা'-āϰ āĻāĻĒāϰ āĻোāϰ āĻĻেāϝ় āϝা āĻ্āώāϝ়েāϰ āϧাāϰāĻŖাāĻিāϰ āĻāĻĒāϰ āĻুāϰুāϤ্āĻŦ āĻāϰোāĻĒ āĻāϰে।]
Q: What does the speaker want his loved one to understand in 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϝ় āĻŦāĻ্āϤা āϤাঁāϰ āĻĒ্āϰিāϝ়āĻāύāĻে āĻী āĻŦোāĻাāϤে āĻাāύ?]
Ans. The speaker wants his loved one to understand that love is precious and valuable because life is fleeting, and they should cherish their love while they still can.
[āĻŦāĻ্āϤা āϤাāϰ āĻĒ্āϰিāϝ়āĻāύāĻে āĻŦোāĻাāϤে āĻাāύ āϝে, āĻীāĻŦāύ āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻŦāϞে āĻĒ্āϰেāĻŽ āĻ
āĻŽূāϞ্āϝ āĻ āĻŽāĻšাāϰ্āĻ্āϝ, āϤাāĻ āϝāϤāĻĻিāύ āϏāĻŽ্āĻāĻŦ, āϤāϤāĻĻিāύ āϤাāĻĻেāϰ āĻĒ্āϰেāĻŽāĻে āϞাāϞāύ āĻāϰāϤে āĻšāĻŦে।]
Q: Describe the symbolism of "yellow leaves".
["āĻšāϞুāĻĻ āĻĒাāϤা"-āĻāϰ āĻĒ্āϰāϤীāĻি āĻ
āϰ্āĻĨ āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. "Yellow leaves" symbolize the decline and aging of the speaker. Here the speaker implies that his earlier years were filled with freshness and abundance. The fading yellow leaves create a visual of decay and the inevitability of time's passing.
["āĻšāϞুāĻĻ āĻĒাāϤা" āĻŦāĻ্āϤাāϰ āĻ
āĻŦāĻ্āώāϝ় āĻāĻŦং āĻŦাāϰ্āϧāĻ্āϝেāϰ āĻĒ্āϰāϤীāĻ। āĻāĻাāύে āĻŦāĻ্āϤা āĻŦোāĻাāϤে āĻেāϝ়েāĻেāύ āϝে āĻŦিāĻāϤ āĻŦāĻāϰāĻুāϞি āĻĒāϰিāĻĒূāϰ্āĻŖ āĻšāϝ়েāĻিāϞ āϏāĻীāĻŦāϤা āĻāĻŦং āĻĒ্āϰাāĻুāϰ্āϝে। āĻŦিāĻŦāϰ্āĻŖ āĻšāϞুāĻĻ āĻĒাāϤা āĻāĻ āϧ্āĻŦংāϏেāϰ āĻāĻŦং āϏāĻŽāϝ়েāϰ āĻ
āύিāĻŦাāϰ্āϝāϤাāϰ āĻĻৃāĻļ্āϝ āϏৃāώ্āĻি āĻāϰেāĻে।]
Q: What is the tone of the couplet of 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϰ āĻĻুāĻ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻেāϰ āϏুāϰ āĻী āϧāϰāύেāϰ?]
Ans. The tone of the couplet of 'Sonnet 73' is reflective and appreciative, as the speaker recognizes the preciousness of love and cherishes it due to the transient nature of life.
['Sonnet 73'-āĻāϰ āĻĻুāĻ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻেāϰ āϏুāϰ āĻাāĻŦুāĻ āĻ āĻৃāϤāĻ্āĻāϤাāĻĒূāϰ্āĻŖ, āĻাāϰāĻŖ āĻŦāĻ্āϤা āĻĒ্āϰেāĻŽেāϰ āĻ
āĻŽূāϞ্āϝāϤাāĻে āĻāĻĒāϞāĻŦ্āϧি āĻāϰেāύ āĻāĻŦং āĻীāĻŦāύেāϰ āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻĒ্āϰāĻৃāϤিāϰ āĻাāϰāĻŖে āϤা āĻāϰāĻ āĻāĻীāϰāĻাāĻŦে āϞাāϞāύ āĻāϰেāύ।]
Q: Describe the speaker's comparison of himself to a tree in late autumn.
[āĻŦāĻ্āϤা āĻীāĻাāĻŦে āύিāĻেāĻে āĻļāϰāϤেāϰ āĻļেāώেāϰ āĻāĻāĻি āĻাāĻেāϰ āϏাāĻĨে āϤুāϞāύা āĻāϰেāύ āϤা āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker compares himself to a tree in late autumn that has lost its leaves, symbolizing the decline of life and vitality.
[āĻŦāĻ্āϤা āύিāĻেāĻে āĻļāϰāϤেāϰ āĻāĻŽāύ āĻāĻāĻি āĻাāĻেāϰ āϏাāĻĨে āϤুāϞāύা āĻāϰেāύ āϝাāϰ āĻĒাāϤা āĻāϰে āĻেāĻে, āϝা āĻীāĻŦāύ āĻ āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϰ āĻĒāϤāύেāϰ āĻĒ্āϰāϤীāĻ।]
Q: What happens to the light in the second quatrain of 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϰ āĻĻ্āĻŦিāϤীāϝ় āĻাāϰ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻāϞো āύিāϝ়ে āĻী āĻŦāϞা āĻšāϝ়েāĻে?]
Ans. The light fades and is eventually extinguished, leaving behind the darkness of night. This imagery illustrates the inevitable death as life's light diminishes and disappears.
[āĻĻ্āĻŦিāϤীāϝ় āĻাāϰ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻāϞো āϧীāϰে āϧীāϰে āύিঃāĻļেāώ āĻšāϝ়ে āϝাāϝ় āĻāĻŦং āĻļেāώে āĻাāϰāĻĻিāĻ āĻ
āύ্āϧāĻাāϰে āĻĄুāĻŦে āϝাāϝ়, āϝা āϰাāϤেāϰ āĻāĻāĻŽāύāĻে āύিāϰ্āĻĻেāĻļ āĻāϰে। āĻāĻ āĻিāϤ্āϰāĻāϞ্āĻĒāĻি āĻীāĻŦāύেāϰ āĻ
āύ্āϤিāĻŽ āĻĒāϰ্āĻŦ āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻ
āĻŦāĻļ্āϝāĻŽ্āĻাāĻŦিāϤা āĻĒ্āϰāĻাāĻļ āĻāϰে, āϝেāĻাāύে āĻীāĻŦāύেāϰ āĻāϞো āĻ্āώāϝ়āĻĒ্āϰাāĻĒ্āϤ āĻšāϝ়ে āĻšাāϰিāϝ়ে āϝাāϝ়।]
Q: Describe the speaker's acceptance of mortality.
[āĻŦāĻ্āϤাāϰ āύিāĻāĻ 'āύāĻļ্āĻŦāϰāϤা'-āϰ āĻ্āϰāĻšāĻŖāϝোāĻ্āϝāϤা āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker accepts mortality as an inevitable part of life, emphasizing the importance of living in the present.
[āĻŦāĻ্āϤা āĻŽৃāϤ্āϝুāĻে āĻীāĻŦāύেāϰ āĻāĻāĻি āĻ
āύিāĻŦাāϰ্āϝ āĻ
ংāĻļ āĻšিāϏেāĻŦে āĻ্āϰāĻšāĻŖ āĻāϰে āĻŦāϰ্āϤāĻŽাāύেāϰ āĻŽāϧ্āϝে āĻŦেঁāĻে āĻĨাāĻাāϰ āĻুāϰুāϤ্āĻŦেāϰ āĻāĻĒāϰ āĻোāϰ āĻĻেāύ।]
Q: How is 'time' described in the sonnet?
[āϏāύেāĻে āϏāĻŽāϝ়েāϰ āĻŦāϰ্āĻŖāύা āĻীāĻাāĻŦে āĻĻেāĻāϝ়া āĻšāϝ়েāĻে?]
Ans. 'Time' is described as a force that consumes and destroys life. But it also deepens love as awareness of life's end makes it more precious.
[āϏāĻŽāϝ়āĻে āĻāĻŽāύ āĻāĻāĻি āĻļāĻ্āϤি āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে āϝা āĻীāĻŦāύāĻে āĻ্āϰাāϏ āĻāϰে āĻāĻŦং āϧ্āĻŦংāϏ āĻāϰে। āĻিāύ্āϤু āĻāĻা āĻাāϞোāĻŦাāϏাāĻে āĻāĻীāϰ āĻ āĻŽূāϞ্āϝāĻŦাāύ āĻāϰে āϤোāϞে āĻীāĻŦāύেāϰ āĻļেāώ āĻšāϝ়ে āϝাāĻāϝ়া āϏāĻŽ্āĻĒāϰ্āĻে āϏāĻেāϤāύ āĻāϰে।]
Q: What is the significance of the "ashes of his youth" in 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϝ় "āϤাāϰ āϝৌāĻŦāύেāϰ āĻাāĻ" āĻŦāϞāϤে āĻী āĻŦোāĻাāύো āĻšāϝ়েāĻে?]
Ans. The "ashes of his youth" signify the remnants of the speaker's once vibrant and energetic past, now reduced to memories and nearing the end.
["āϤাāϰ āϝৌāĻŦāύেāϰ āĻাāĻ" āĻŦāϞāϤে āĻŦāĻ্āϤাāϰ āĻāĻāϏāĻŽāϝ়েāϰ āĻāĻ্āĻ্āĻŦāϞ āĻ āĻĒ্āϰাāĻŖāĻŦāύ্āϤ āĻ
āϤীāϤেāϰ āĻ
āĻŦāĻļিāώ্āĻাংāĻļ āĻŦোāĻাāύো āĻšāϝ়েāĻে, āϝা āĻāĻāύ āĻļুāϧুāĻŽাāϤ্āϰ āϏ্āĻŽৃāϤি āĻšāϝ়ে āĻেāĻে āĻāĻŦং āĻļেāώেāϰ āĻĒāĻĨে।]
Q: Describe the imagery of ashes in the sonnet.
[āϏāύেāĻে āĻাāĻāϝ়েāϰ āĻিāϤ্āϰāĻāϞ্āĻĒāĻি āĻŦāϰ্āĻŖāύা āĻāϰো?]
Ans. The imagery of ashes symbolizes the remains of something that was once full of life. It represents life's lost strength, resting on the remnants of youthful energy that once burned brightly.
[āĻাāĻ āĻāĻŽāύ āĻিāĻুāϰ āĻ
āĻŦāĻļিāώ্āĻাংāĻļেāϰ āĻĒ্āϰāϤীāĻ āϝা āĻāĻāϏāĻŽāϝ় āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϤে āĻĒāϰিāĻĒূāϰ্āĻŖ āĻিāϞ। āĻāĻা āĻāĻĒāϏ্āĻĨাāĻĒিāϤ āĻāϰে āĻীāĻŦāύেāϰ āϰāϝ়ে āϝাāĻāϝ়া āĻļāĻ্āϤিāϰ āϝা āĻĒāĻĄ়ে āĻāĻে āϝৌāĻŦāύāĻļāĻ্āϤিāϰ āĻ
āĻŦāĻļিāώ্āĻāϰূāĻĒে āϝা āĻāĻāϏāĻŽāϝ়ে āĻāĻ্āĻ্āĻŦāϞāĻাāĻŦে āĻ্āĻŦāϞেāĻিāϞ।]
Q: Which specific imagery is used to describe the passage of time in the first quatrain of 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϰ āĻĒ্āϰāĻĨāĻŽ āĻাāϰ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āϏāĻŽāϝ়েāϰ āĻ
āϤিāĻ্āϰāĻŽāĻŖ āĻŦোāĻাāϤে āĻোāύ্ āύিāϰ্āĻĻিāώ্āĻ āĻিāϤ্āϰāĻāϞ্āĻĒ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻে?]
Ans. The passage of time is depicted through the imagery of yellow leaves or none at all on trees, which indicates the transition from life to decay, representing ageing and approaching death.
[āĻāĻ āĻাāϰ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āϏāĻŽāϝ়েāϰ āĻ
āϤিāĻ্āϰāĻŽāĻŖ āĻŦোāĻাāϤে āĻšāϞুāĻĻ āĻĒাāϤা āĻিংāĻŦা āĻĒাāϤাāĻšীāύ āĻাāĻেāϰ āĻিāϤ্āϰāĻāϞ্āĻĒ āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāϝ়েāĻে। āĻāĻ āĻিāϤ্āϰāĻāϞ্āĻĒ āĻীāĻŦāύ āĻĨেāĻে āĻ্āώāϝ়-āĻāϰ āĻĻিāĻে āϝাāϤ্āϰাāĻে āύিāϰ্āĻĻেāĻļ āĻāϰে—āϝা āĻŦাāϰ্āϧāĻ্āϝ āĻ āĻŽৃāϤ্āϝুāϰ āĻাāĻাāĻাāĻি āĻāϞে āĻāϏাāϰ āĻĒ্āϰāϤীāĻ।]
Q: How does the speaker describe his current state?
[āĻŦāĻ্āϤা āϤাঁāϰ āĻŦāϰ্āϤāĻŽাāύ āĻ
āĻŦāϏ্āĻĨাāĻে āĻীāĻাāĻŦে āĻŦāϰ্āĻŖāύা āĻāϰেāύ?]
Ans. The speaker describes his current state as if he is in the twilight of his life. He assumes that the twilight will soon change into black night.
[āĻŦāĻ্āϤা āϤাঁāϰ āĻŦāϰ্āϤāĻŽাāύ āĻ
āĻŦāϏ্āĻĨাāĻে āĻŦāϰ্āĻŖāύা āĻāϰেāύ āϝেāύ āϤিāύি āĻীāĻŦāύেāϰ āĻোāϧুāϞি āĻŦেāϞাāϝ় āϰāϝ়েāĻেāύ। āϤিāύি āϧাāϰāĻŖা āĻāϰেāύ āϝে āĻোāϧূāϞিāϰ āĻĒāϰāĻĒāϰāĻ āĻাāϞো āϰাāϤ āύেāĻŽে āĻāϏāĻŦে।]
Q: What metaphor is used in the first quatrain of 'Sonnet 73' to describe the trees?
['Sonnet 73'-āĻāϰ āĻĒ্āϰāĻĨāĻŽ āĻাāϰāϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻাāĻāĻুāϞিāĻে āĻŦāϰ্āĻŖāύা āĻāϰাāϰ āĻāύ্āϝ āĻী āϰূāĻĒāĻ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰা āĻšāϝ়েāĻে?]
Ans. The metaphor of "bare ruined choirs" is used to describe the trees. This image evokes a sense of abandoned, decayed spaces once full of life, now silent and empty.
[āĻাāĻāĻুāϞিāĻে āĻŦāϰ্āĻŖāύা āĻāϰাāϰ āĻāύ্āϝ "āύ্āϝাāĻĄ়া āϧ্āĻŦংāϏāĻĒ্āϰাāĻĒ্āϤ āĻাāϝ়āĻāĻĻāϞেāϰ āĻŽāĻ্āĻ" (bare ruined choirs) āϰূāĻĒāĻāĻি āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰা āĻšāϝ়েāĻে। āĻāĻ āĻিāϤ্āϰāĻি āĻāĻŽāύ āĻāĻāĻি āĻĒāϰিāϤ্āϝāĻ্āϤ, āĻীāϰ্āĻŖ āĻĒāϰিāĻŦেāĻļেāϰ āĻ
āύুāĻূāϤি āĻাāĻাāϝ় āϝা āĻāĻ āϏāĻŽāϝ় āĻĒ্āϰাāĻŖে āĻĒূāϰ্āĻŖ āĻিāϞ, āĻিāύ্āϤু āĻāĻāύ āύীāϰāĻŦ āĻ āĻļূāύ্āϝ।]
Q: Describe the speaker's view on the passage of time.
[āϏāĻŽāϝ়েāϰ āĻĒāϰিāĻŦāϰ্āϤāύ āϏāĻŽ্āĻĒāϰ্āĻে āĻŦāĻ্āϤাāϰ āĻĻৃāώ্āĻিāĻāĻ্āĻি āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker views time as a force that consumes and destroys human life, emphasizing the fleeting nature of existence. Time is transient and irresistible.
[āĻ
āϏ্āϤিāϤ্āĻŦেāϰ āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻĒ্āϰāĻৃāϤিāϰ āĻāĻĒāϰ āĻোāϰ āĻĻিāϝ়ে āĻŦāĻ্āϤা āϏāĻŽāϝ়āĻে āĻāĻŽāύ āĻāĻāĻি āĻļāĻ্āϤি āĻšিāϏেāĻŦে āĻĻেāĻেāύ āϝা āĻŽাāύুāώেāϰ āĻীāĻŦāύāĻে āĻ্āϰাāϏ āĻāϰে āĻāĻŦং āϧ্āĻŦংāϏ āĻāϰে। āϏāĻŽāϝ় āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻāĻŦং āĻ
āĻĒ্āϰāϤিāϰোāϧ্āϝ।]
Q: What type of love is Shakespeare discussing in Sonnet-73?
[āϏāύেāĻ-ā§ā§Š āĻāĻŦিāϤাāϝ় āĻļেāĻ্āϏāĻĒিāϝ়āϰ āĻী āϧāϰāύেāϰ āĻĒ্āϰেāĻŽেāϰ āĻāϞোāĻāύা āĻāϰেāĻেāύ?]
Ans. In Sonnet-73, Shakespeare discusses a love characterized by urgency due to the speaker's old age. The poem also highlights a deep love that endures despite the speaker's aging and mortality.
[āϏāύেāĻ-ā§ā§Š āĻāĻŦিāϤাāϝ় āĻļেāĻ্āϏāĻĒিāϝ়āϰ āϏāĻŽāϝ়েāϰ āĻāĻāĻি āĻ
āĻ্āϰাāĻš্āϝ āĻāϰে āĻŦৃāĻĻ্āϧ āĻŦāϝ়āϏেāϰ āĻĒ্āϰেāĻŽেāϰ āĻāĻĨা āĻŦāϞেāĻেāύ। āĻāĻŦিāϤাāĻি āĻāĻ āĻāĻীāϰ āĻাāϞোāĻŦাāϏাāϰ āĻĒ্āϰāϤি āĻāϞোāĻāĻĒাāϤ āĻāϰে āϝা āĻŦāĻ্āϤাāϰ āĻ্āϰāĻŽāĻŦāϰ্āϧāĻŽাāύ āĻŦāϝ়āϏ āĻāĻŦং āύāĻļ্āĻŦāϰāϤাāĻে āĻ
āϤিāĻ্āϰāĻŽ āĻāϰেāĻে।]
Q: What is the description of the season in the first quatrain?
[āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻে āĻীāĻাāĻŦে āĻāϤুāϰ āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে?]
Ans. The season is described as late autumn, with yellow leaves or none, or few, hanging on the branches. The season of autumn is the metaphor of aging.
[āĻļāϰāϤেāϰ āĻļেāώেāϰ āĻĻিāĻেāϰ āĻāϤুāĻিāĻে āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে, āϝেāĻাāύে āĻĒাāϤা āĻšāϞুāĻĻ āĻĨাāĻে āĻ
āĻĨāĻŦা āĻĨাāĻে āύা, āĻ
āĻĨāĻŦা āĻĄাāϞে āĻুāĻŦ āĻāĻŽ āĻĒাāϤা āĻুāϞে āĻĨাāĻে। āĻļāϰā§āĻাāϞ āĻāĻাāύে āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻāϝ়াāϰ āϰূāĻĒāĻ।]
Q: What is the inherent lesson that the poem delivers?
[āĻāĻŦিāϤাāĻি āϝে āϏুāĻĒ্āϤ āĻļিāĻ্āώা āĻĻিāϤে āĻাāϝ়, āϤা āĻী?]
Ans. Sonnet-73 imparts the lesson that the inevitability of aging and certainty of death prompts us to cherish each single moment of present times. It also teaches his addressee that inspite of the finality of death, love becomes more deep and heartfelt.
[āϏāύেāĻ-ā§ā§Š āĻāĻ āĻļিāĻ্āώা āĻĻেāϝ় āϝে āĻŦাāϰ্āϧāĻ্āϝেāϰ āĻšাāϤāĻাāύি āĻāĻŦং āύিāĻļ্āĻিāϤ āĻŽৃāϤ্āϝু āĻāĻŽাāĻĻেāϰ āĻŦāϰ্āϤāĻŽাāύেāϰ āĻĒ্āϰāϤিāĻি āĻŽুāĻšূāϰ্āϤāĻে āĻāĻĒāĻোāĻ āĻāϰাāϝ় āϤā§āĻĒāϰ āĻāϰে āϤোāϞে। āĻāĻি āϤাāϰ āĻļ্āϰোāϤাāĻে āĻāĻ āĻļিāĻ্āώা āĻĻেāϝ় āϝে āĻŽৃāϤ্āϝু āĻ
āĻŦāĻļ্āϝāĻŽ্āĻাāĻŦী āĻেāύেāĻ āĻাāϞোāĻŦাāϏা āĻāϰāĻ āĻāĻীāϰ āĻāĻŦং āĻšৃāĻĻāϝ়āĻ্āϰাāĻšী āĻšāϝ়ে āĻāĻ ে।]
Q: How does the speaker describe the boughs in the beginning of 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϰ āĻļুāϰুāϤে āĻŦāĻ্āϤা āĻীāĻাāĻŦে āĻĄাāϞāĻĒাāϞাāĻুāϞিāĻে āĻŦāϰ্āĻŖāύা āĻāϰেāĻেāύ?]
Ans. In the beginning of 'Sonnet 73', the boughs are described as "bare ruined choirs" where birds once sang. The metaphor suggests desolation and emptiness, reflecting the speaker's sense of loss and decline.
[āĻāĻŦিāϤাāϰ āĻļুāϰুāϤে āĻĄাāϞāĻĒাāϞাāĻুāϞিāĻে "āĻĒāϤ্āϰāĻšীāύ āϧ্āĻŦংāϏāĻĒ্āϰাāĻĒ্āϤ āĻাāϝ়āĻāĻĻāϞেāϰ āĻāĻŽাāϝ়েāϤ āϏ্āĻĨāϞ" āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে, āϝেāĻাāύে āĻāĻāϏāĻŽāϝ় āĻĒাāĻিāϰা āĻাāύ āĻাāĻāϤ। āĻāĻ āϰূāĻĒāĻāĻি āĻļূāύ্āϝāϤা āĻ āĻŦিāϰāĻšেāϰ āĻ
āύুāĻূāϤিāϰ āĻĒ্āϰāϤিāĻĢāϞāύ āĻāĻাāϝ়, āϝা āĻŦāĻ্āϤাāϰ āĻšৃāĻĻāϝ়ে āĻ্āώāϝ়, āύিঃāϏāĻ্āĻāϤা āĻāĻŦং āĻীāĻŦāύেāϰ āĻĒāϤāύেāϰ āĻāĻ্āĻিāϤ āĻĻেāϝ়।]
Q: Why is 'time' important in the sonnet?
[āϏāύেāĻāĻিāϤে 'āϏāĻŽāϝ়' āĻেāύ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ?]
Ans. In the poem, time is important as it is portrayed as a force that consumes and destroys. The role of time has been described as inevitable.
[āĻāĻŦিāϤাāĻিāϤে 'āϏāĻŽāϝ়' āĻুāĻŦāĻ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻাāϰāĻŖ āϏāĻŽāϝ়āĻে āĻāĻŽāύ āĻāĻāĻি āĻļāĻ্āϤি āĻšিāϏেāĻŦে āĻিāϤ্āϰিāϤ āĻāϰা āĻšāϝ়েāĻে āϝা āĻ্āϰাāϏ āĻāϰে āĻāĻŦং āϧ্āĻŦংāϏ āĻāϰে। āĻāĻাāύে āϏāĻŽāϝ়āĻে āĻ
āĻĒ্āϰāϤিāϰোāϧ্āϝ āĻŦāϞে āĻāϞ্āϞেāĻ āĻāϰা āĻšāϝ়েāĻে।]
Q: What does the black night take away?
[āĻাāϞো āϰাāϤ্āϰি āĻী āύিāϝ়ে āĻāϞে āϝাāϝ়?]
Ans. The black night takes away the vigour and vitality of youth. The black night metaphorically represents the approach of death and takes away the remaining lights of life.
[āĻাāϞো āϰাāϤ্āϰিāĻি āϝৌāĻŦāύেāϰ āĻĒ্āϰাāĻŖোāĻ্āĻāϞāϤা āĻ āĻীāĻŦāύীāĻļāĻ্āϤিāĻে āύিāϝ়ে āĻāϞে āϝাāϝ়। āĻাāϞো āϰাāϤ্āϰি āĻীāĻŦāύেāϰ āĻāϞো āύিāĻে āĻāϏা āĻ
āĻĨāĻŦা āĻŽৃāϤ্āϝুāϰ āĻāĻāĻŽāύāĻে āϰূāĻĒāĻাāϰ্āĻĨে āĻāĻĒāϏ্āĻĨাāĻĒিāϤ āĻāϰে।]
Q: Describe the speaker's relationship with the beloved.
[āĻĒ্āϰেāĻŽাāϏ্āĻĒāĻĻেāϰ āϏাāĻĨে āĻŦāĻ্āϤাāϰ āϏāĻŽ্āĻĒāϰ্āĻāĻি āĻāĻŦিāϤাāϝ় āĻীāĻাāĻŦে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻে?]
Ans. The relationship is intimate and affectionate. The speaker reveals his tender attitude towards him through the poem.
[āĻŦāĻ্āϤাāϰ āĻĒ্āϰেāĻŽিāĻেāϰ āϏāĻ্āĻে āϏāĻŽ্āĻĒāϰ্āĻāĻি āĻāύিāώ্āĻ āĻ āϏ্āύেāĻšāĻĒূāϰ্āĻŖ। āĻāĻি āϤাāϰ āĻĒ্āϰāϤি āĻŦāĻ্āϤাāϰ āĻোāĻŽāϞ āĻāĻāϰāĻŖāĻে āĻĢুāĻিāϝ়ে āϤোāϞে।]
Q: Describe the use of symbolism in the sonnet.
[āϏāύেāĻে āĻĒ্āϰāϤীāĻিāĻŦাāĻĻেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The symbols like seasons of autumn and winter are used to describe stages of human life. 'Fire', 'Night' describe fading of the speaker's vitality and subsequent end of life. The yellow leaves symbolize the loss of vitality and passing of time.
[āĻļāϰ⧠āĻ āĻļীāϤেāϰ āĻŽāϤো āĻāϤুāĻুāϞি āĻŽāύুāώ্āϝāĻীāĻŦāύেāϰ āĻŦিāĻিāύ্āύ āϏāĻŽāϝ়āĻে āĻŦāϰ্āĻŖāύা āĻāϰে। āĻāĻুāύ āĻāĻŦং āϰাāϤ্āϰিāϰ āĻĒ্āϰāϤীāĻ āĻĻুāĻি āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϰ āĻ
āĻŦāύāϝ়āύ āĻāĻŦং āĻĒāϰāĻŦāϰ্āϤী āĻŽৃāϤ্āϝুāϰ āĻāĻĨা āĻŦāϰ্āĻŖāύা āĻāϰে। āĻšāϞুāĻĻ āĻĒাāϤাāĻুāϞি āĻীāĻŦāύীāĻļāĻ্āϤিāϰ āĻš্āϰাāϏ āĻ āϏāĻŽāϝ়েāϰ āĻŦāϝ়ে āĻāϞাāĻে āϏূāĻিāϤ āĻāϰে।]
Q: How does the poet's awareness of death affect his view of love in 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϝ় āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤি āĻāĻŦিāϰ āϏāĻেāϤāύāϤা āϤাঁāϰ āĻĒ্āϰেāĻŽেāϰ āĻĻৃāώ্āĻিāĻāĻ্āĻিāĻে āĻীāĻাāĻŦে āĻĒ্āϰāĻাāĻŦিāϤ āĻāϰে?]
Ans. The speaker's awareness of death makes him cherish and value love more deeply, understanding that love's worth is magnified by its impermanence.
[āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤি āĻŦāĻ্āϤাāϰ āϏāĻেāϤāύāϤা āϤাāĻে āĻĒ্āϰেāĻŽāĻে āĻāϰāĻ āĻāĻীāϰāĻাāĻŦে āϞাāϞāύ āĻ āĻŽূāϞ্āϝাāϝ়āύ āĻāϰāϤে āĻļেāĻাāϝ়, āĻাāϰāĻŖ āϤিāύি āĻŦুāĻāϤে āĻĒাāϰেāύ āϝে āĻĒ্āϰেāĻŽেāϰ āĻŽূāϞ্āϝ āϤাāϰ āĻ্āώāĻŖāϏ্āĻĨাāϝ়িāϤ্āĻŦেāϰ āĻŽāϧ্āϝেāĻ āĻāϰāĻ āĻŦেāĻĄ়ে āϝাāϝ়।]
Q: What does the speaker intend to say to his beloved?
[āĻŦāĻ্āϤা āϤাঁāϰ āĻĒ্āϰিāϝ়āĻāύāĻে āĻী āĻŦāϞāϤে āĻাāύ?]
Ans. The speaker intends to say to his beloved to appreciate the time they have together because time has a fleeting nature and the moment may not return again.
[āĻŦāĻ্āϤা āϤাঁāϰ āĻĒ্āϰিāϝ়āĻāύāĻে āϏāĻŽāϝ়েāϰ āĻুāϰুāϤ্āĻŦ āĻāĻĒāϞāĻŦ্āϧি āĻāϰāϤে āĻŦāϞেāύ। āĻাāϰāĻŖ āϏāĻŽāϝ় āύিāϝ়āϤ āĻĒāϰিāĻŦāϰ্āϤāύāĻļীāϞ āĻāĻŦং āϝে āϏāĻŽāϝ় āĻāϞে āϝাāϝ় āϤা āĻāϰ āĻĢিāϰে āĻāϏে āύা।]
Q: What is the significance of "such day" in the sonnet?
[āϏāύেāĻে āĻŦāϰ্āĻŖিāϤ "āĻāĻŽāύ āĻĻিāύ" āĻāϰ āϤাā§āĻĒāϰ্āϝ āĻŦāϰ্āĻŖāύা āĻāϰো?]
Ans. "Such day" refers to the speaker's life, which is nearing its end. The twilight however will extinguish by dark and deep night that ends all activities and brings everything to rest. Similarly, the last flickers of the warmth of the poet's life will be taken away by death.
["āĻāĻŽāύ āĻĻিāύ" āĻŦāϞāϤে āĻŦāĻ্āϤাāϰ āĻীāĻŦāύāĻে āĻŦোāĻাāϝ় āϝা āϤাāϰ āĻļেāώেāϰ āĻĻিāĻে āĻāĻিāϝ়ে āĻāϞেāĻে। āĻোāϧূāϞি āĻāĻāϏāĻŽāϝ় āĻāĻীāϰ āϰাāϤেāϰ āĻ
āύ্āϧāĻাāϰে āύিāĻŽāĻ্āĻিāϤ āĻšāĻŦে āϝা āϏāĻāϞ āĻāϤিāĻļীāϞāϤাāĻে āϰুāĻĻ্āϧ āĻāϰāĻŦে āĻāĻŦং āϏāĻŦāĻিāĻুāϰ āĻŦিāϰাāĻŽ āĻোāώāĻŖা āĻāϰāĻŦে āĻāĻŦং āĻāĻāĻāĻাāĻŦে āĻāĻŦিāϰ āĻীāĻŦāύে āĻ
āύ্āϤিāĻŽ āĻāώ্āĻŖāϤাāϰ āĻāϞāĻāĻি āĻ
āĻিāϰেāĻ āĻŽৃāϤ্āϝু āĻিāύিāϝ়ে āύিāϝ়ে āϝাāĻŦে।]
Q: What does the poet imply about his own life through the imageries and comparisons in 'Sonnet 73'?
['Sonnet 73' āĻāĻŦিāϤাāϝ় āĻŦ্āϝāĻŦāĻšৃāϤ āϰূāĻĒāĻ āĻিāϤ্āϰ āĻ āĻāĻĒāĻŽাāϰ āĻŽাāϧ্āϝāĻŽে āĻāĻŦি āύিāĻেāϰ āĻীāĻŦāύ āϏāĻŽ্āĻĒāϰ্āĻে āĻী āĻāĻ্āĻিāϤ āĻĻেāύ?]
Ans. The poet implies that his life is in its final stages, nearing the end like autumn and twilight. These comparisons highlight the themes of ageing, decline and the inevitability of death.
[āĻāĻŦি āĻāĻ্āĻিāϤ āĻĻেāύ āϝে, āϤাঁāϰ āĻীāĻŦāύ āĻļেāώ āĻĒāϰ্āϝাāϝ়ে āĻĒৌঁāĻেāĻে—āĻļāϰāϤেāϰ āĻŽāϤো āĻ āĻোāϧূāϞিāϰ āĻŽāϤো āĻ
āύ্āϤিāĻŽ āĻĒ্āϰāĻšāϰে। āĻāϏāĻŦ āĻāĻĒāĻŽা āĻ āĻিāϤ্āϰ āĻŦাāϰ্āϧāĻ্āϝ, āĻ
āĻŦāĻ্āώāϝ় āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻ
āύিāĻŦাāϰ্āϝāϤা—āĻāĻ āϏāĻŦ āĻŦিāώāϝ়āĻে āϤুāϞে āϧāϰে।]
Q: What is the significance of the poem's use of autumnal imagery?
[āĻāĻŦিāϤাāĻিāϤে āĻļāϰā§āĻাāϞীāύ āĻিāϤ্āϰāĻāϞ্āĻĒ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āϤাā§āĻĒāϰ্āϝ āĻী?]
Ans. The autumnal imagery symbolizes decline, aging, and mortality, highlighting the passing of time.
[āĻļāϰā§āĻাāϞেāϰ āĻিāϤ্āϰāĻāϞ্āĻĒāĻুāϞি āĻ্āώāϝ়, āĻŦাāϰ্āϧāĻ্āϝ āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤীāĻ āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖিāϤ, āϝা āϏāĻŽāϝ়েāϰ āĻŦāϝ়ে āĻāϞে āϝাāĻāϝ়াāĻে āϤুāϞে āϧāϰে।]
Q: What is the poem's message about love?
[āĻāĻŦিāϤাāĻিāϤে āĻĒ্āϰেāĻŽ āϏāĻŽ্āĻĒāϰ্āĻে āĻী āĻŦাāϰ্āϤা āĻĻেāĻāϝ়া āĻšāϝ়েāĻে?]
Ans. The poem's message is to appreciate and cherish love while it exists, as it is fleeting and impermanent. The poem focuses on the message that love deepens and becomes more precious when confronted with the reality of ageing and mortality.
[āĻāĻŦিāϤাāĻিāϰ āĻŦাāϰ্āϤা āĻšāϞ āĻাāϞোāĻŦাāϏাāϰ āĻ
āϏ্āϤিāϤ্āĻŦ āĻĨাāĻাāĻাāϞীāύ āϤাāĻে āĻāĻĒāϞāĻŦ্āϧি āĻāϰা āĻāĻŦং āϞাāϞāύ āĻāϰা, āĻাāϰāĻŖ āĻāĻি āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻāĻŦং āĻĻ্āϰুāϤāĻাāĻŽী। āĻāĻŦিāϤাāĻি āĻāĻ āĻŦাāϰ্āϤাāĻিāϰ āĻāĻĒāϰ āĻেāύ্āĻĻ্āϰিāĻূāϤ āĻšāϝ় āϝে āĻাāϞোāĻŦাāϏা āĻāĻীāϰāϤা āϞাāĻ āĻāϰে āĻāϰো āĻŽূāϞ্āϝāĻŦাāύ āĻšāϝ়ে āĻāĻ ে āϝāĻāύ āϤা āĻŦাāϰ্āϧāĻ্āϝ āĻ āĻŽāϰāĻŖāĻļীāϞāϤাāϰ āĻŽāϤো āĻŦাāϏ্āϤāĻŦেāϰ āĻŽুāĻোāĻŽুāĻি āĻšāϝ়।]
Q: What is the description of "Death's second self"?
["āĻŽৃāϤ্āϝুāϰ āĻĻ্āĻŦিāϤীāϝ় āϏāϤ্āϤা"āϰ āĻŦāϰ্āĻŖāύাāĻি āĻী?]
Ans. 'Sleep' has been described here as death's second self. It highlights the similarity between sleep and death as both involve a cessation of activity and closing of the eyes. The speaker uses this comparison to highlight his own aging and approaching death.
['āĻুāĻŽ'-āĻে āĻāĻাāύে āĻŽৃāϤ্āϝুāϰ 'āĻĻ্āĻŦিāϤীāϝ় āϏāϤ্āϤা' āĻŦāϞে āĻŦ্āϝাāĻ্āϝা āĻāϰা āĻšāϝ়েāĻে। āĻুāĻŽ āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āϏাāĻĻৃāĻļ্āϝেāϰ āĻāĻĒāϰে āĻāĻাāύে āĻāϞোāĻāĻĒাāϤ āĻāϰা āĻšāϝ়েāĻে। āĻāĻাāύে āĻĻুāĻি āĻŦিāώāϝ় āĻুāĻĄ়ে āĻāĻে āĻāϰ্āĻŽ āϏāĻ্āϰিāϝ়āϤাāϰ āϏāĻŽাāĻĒ্āϤি। āĻোāĻেāϰ āĻĒাāϤা āĻŦāύ্āϧ āĻšāϝ়ে āϝাāĻāϝ়াāϰ āϏāĻ্āĻে āĻŦāĻ্āϤা āϤুāϞāύা āĻāϰেāĻেāύ āϤাāϰ āύিāĻেāϰ āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻāϝ়াāĻে āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻāĻিāϝ়ে āĻāϏাāĻে।]
Q: What lesson does "Sonnet 73" offer to its reader?
[āϏāύেāĻ ā§ā§Š āϤাāϰ āĻĒাāĻ āĻāĻে āĻী āĻļিāĻ্āώা āĻĒ্āϰāĻĻাāύ āĻāϰে?]
Ans. The poem teaches its reader to appreciate and cherish love while it exists as it is fleeting and may diminish any time when death comes. This awareness will make love stronger.
[āĻāĻŦিāϤাāĻিāϤে āĻĒাāĻ āĻāĻে āĻাāϞোāĻŦাāϏাāϰ āĻŽāϰ্āĻŽ āĻāĻĒāϞāĻŦ্āϧি āĻāϰাāϰ āĻāĻĨা āĻāĻŦং āϤাāĻে āϞাāϞāύ āĻāϰাāϰ āĻāĻĨা āĻŦāϞা āĻšāϝ়েāĻে āĻাāϰāĻŖ āĻীāĻŦāύ āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻāĻŦং āϝে āĻোāύো āĻŽুāĻšূāϰ্āϤে āĻŽৃāϤ্āϝু āϤাāĻে āĻ্āϰাāϏ āĻāϰāϤে āĻĒাāϰে। āĻāĻ āĻ
āύুāĻূāϤি āĻĒ্āϰেāĻŽāĻে āĻāϰāĻ āĻĻৃāĻĸ় āĻāϰে āϤুāϞāĻŦে।]
Q: How does the couplet of 'Sonnet 73' tie the sonnet together?
['Sonnet 73' āĻāĻŦিāϤাāϰ āĻĻুāĻ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻāĻি āĻীāĻাāĻŦে āĻĒুāϰো āϏāύেāĻāĻে āĻāĻāϏূāϤ্āϰে āĻেঁāĻĨে āϰাāĻে?]
Ans. The couplet of 'Sonnet 73' ties the sonnet together by connecting the theme of mortality with the heightened value of love, emphasizing love's significance in the face of death.
['Sonnet 73'-āĻāϰ āĻĻুāĻ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻāĻি āĻŽৃāϤ্āϝুāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāĻে āĻĒ্āϰেāĻŽেāϰ āĻŽূāϞ্āϝāĻŦোāϧেāϰ āϏāĻ্āĻে āϝুāĻ্āϤ āĻāϰে āĻĒুāϰো āϏāύেāĻāĻে āĻāĻāϤ্āϰিāϤ āĻāϰে, āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻŽুāĻোāĻŽুāĻি āĻĻাঁāĻĄ়িāϝ়ে āĻĒ্āϰেāĻŽেāϰ āĻুāϰুāϤ্āĻŦāĻে āĻāϰāĻ āĻāĻীāϰāĻাāĻŦে āϤুāϞে āϧāϰে।]
Q: Describe the speaker's view on aging.
[āĻŦাāϰ্āϧāĻ্āϝ āϏāĻŽ্āĻĒāϰ্āĻে āĻŦāĻ্āϤাāϰ āĻĻৃāώ্āĻিāĻāĻ্āĻি āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker views aging as a natural process leading to mortality. It is obvious and inevitable. The speaker seems to accept his ageing and mortality with a degree of grace focusing on the enduring power of love rather than dwelling on despair.
[āĻŦāĻ্āϤা āĻŦাāϰ্āϧāĻ্āϝāĻে āĻŽৃāϤ্āϝুāϰ āĻĻিāĻে āĻĒāϰিāĻাāϞিāϤ āĻāϰে āĻāĻŽāύ āĻāĻāĻি āĻĒ্āϰাāĻৃāϤিāĻ āĻĒ্āϰāĻ্āϰিāϝ়া āĻšিāϏেāĻŦে āĻĻেāĻেāύ। āĻāĻি āύিāĻļ্āĻিāϤ āĻāĻŦং āĻ
āĻĒ্āϰāϤিāϰোāϧ্āϝ। āĻŦāĻ্āϤা āϤাঁāϰ āĻŦাāϰ্āϧāĻ্āϝ āĻ āĻŽāϰāĻŖāĻļীāϞāϤাāĻে āϏাāύāύ্āĻĻে āĻ্āϰāĻšāĻŖ āĻāϰেāύ āĻাāϞোāĻŦাāϏাāϰ āĻ
āϏীāĻŽ āĻļāĻ্āϤিāϰ āĻāĻĒāϰ āĻāϞোāĻāĻĒাāϤ āĻāϰে āϝেāĻাāύে āϏ্āĻĨাāϝ়িāϤ্āĻŦ āĻŦা āĻšāϤাāĻļাāϰ āĻোāύো āϏ্āĻĨাāύ āύেāĻ।]
Q: What is the description of the poem's language?
[āĻāĻŦিāϤাāĻিāϰ āĻাāώা āĻŽাāϧুāϰ্āϝেāϰ āĻŦāϰ্āĻŖāύা āĻĻাāĻ।]
Ans. The language of the poem is poetic, rich, and evocative. Shakespeare uses his unique proposition of language to deliver his philosophy and concept on aging and mortality.
[āĻāĻŦিāϤাāϰ āĻাāώাāĻি āĻাāĻŦ্āϝিāĻ, āϏāĻŽৃāĻĻ্āϧ āĻāĻŦং āĻাāĻŦাāĻŦেāĻāĻĒূāϰ্āĻŖ। āĻļেāĻ্āϏāĻĒিāϝ়āϰ āϤাঁāϰ āĻ
āύāĻŦāĻĻ্āϝ āĻাāώাāϰ āĻāĻĒāϏ্āĻĨাāĻĒāύ āĻāϰেāύ āĻŦাāϰ্āϧāĻ্āϝ āĻāĻŦং āύāĻļ্āĻŦāϰāϤাāϰ āĻāĻĒāϰ āϤাঁāϰ āĻĻাāϰ্āĻļāύিāĻ āĻŦোāϧ āĻŦ্āϝāĻ্āϤ āĻāϰāϤে।]
Q: How has the speaker's emotion been described in the poem?
[āĻāĻŦিāϤাāĻিāϤে āĻŦāĻ্āϤাāϰ āĻāĻŦেāĻ āĻীāϰূāĻĒে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻে?]
Ans. The speaker's emotion has been described as melancholic, reflective, and affectionate towards his beloved. In it, acceptance regarding his aging and impending death interwoven with sense of enduring power of love.
[āĻāĻŦিāϤাāĻিāϤে āĻŦāĻ্āϤাāϰ āĻāĻŦেāĻāĻে āĻŦিāώāĻŖ্āĻŖ, āĻিāύ্āϤাāĻļীāϞ āĻāĻŦং āϤাঁāϰ āĻĒ্āϰিāϝ়āĻāύেāϰ āĻĒ্āϰāϤি āϏ্āύেāĻšāĻĒূāϰ্āĻŖ āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে। āĻāϰ āĻŽāϧ্āϝে āϤাঁāϰ āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻāϝ়া āĻāĻŦং āĻāϏāύ্āύ āĻŽৃāϤ্āϝু āĻাāϞোāĻŦাāϏাāϰ āĻļāĻ্āϤিāϰ āϏ্āĻĨাāϝ়িāϤ্āĻŦেāϰ āϏাāĻĨে āĻāĻĄ়িāϤ āĻšāϝ়ে āĻāĻে।]
Q: Describe the image of 'twilight' in the second quatrain?
[āĻĻ্āĻŦিāϤীāϝ় āϏ্āϤāĻŦāĻে āĻŦāϰ্āĻŖিāϤ āĻোāϧূāϞিāϰ āĻিāϤ্āϰāĻি āϞেāĻো।]
Ans. 'Twilight' is described as the fading light of day symbolizing the decline of life and vitality. This twilight, however, will be extinguished with the touch of the dark and deep night that ends all activities and brings everything to rest.
[āĻোāϧূāϞিāĻে āĻĒāĻĄ়āύ্āϤ āĻĻিāύেāϰ āĻāϞোāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰা āĻšāϝ়েāĻে āϝা āĻীāĻŦāύ āĻ āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϰ āĻ
āĻŦāύāĻŽāύেāϰ āĻĒ্āϰāϤীāĻ। āϝাāĻāĻšোāĻ āĻāĻ āĻোāϧূāϞিāĻ āĻাāϞো āĻāĻীāϰ āϰাāϤেāϰ āĻোঁāϝ়াāϝ় āύিāĻে āϝাāĻŦে āϝা āϏāĻŦ āĻাāĻāĻāϰ্āĻŽāĻে āĻĨাāĻŽিāϝ়ে āĻĻেāĻŦে āϏāĻŦāĻিāĻুāϰ āĻŦিāĻļ্āϰাāĻŽ āĻāύে।]
Q: What does the poet say about love in the final couplet of 'Sonnet 73'?
['Sonnet 73'-āĻāϰ āĻļেāώ āĻĻুāĻ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻāĻŦি āĻĒ্āϰেāĻŽ āϏāĻŽ্āĻĒāϰ্āĻে āĻী āĻŦāϞেāύ?]
Ans. In the final couplet of his 'Sonnet 73', the poet says that love is made more precious and valuable by the awareness of life's fleeting nature and the inevitability of death.
['Sonnet 73'-āĻāϰ āĻļেāώ āĻĻুāĻ āϞাāĻāύেāϰ āϏ্āϤāĻŦāĻে āĻāĻŦি āĻŦāϞেāύ āϝে, āĻীāĻŦāύেāϰ āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী āĻĒ্āϰāĻৃāϤি āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻ
āύিāĻŦাāϰ্āϝāϤা āĻāĻĒāϞāĻŦ্āϧি āĻāϰাāϝ় āĻĒ্āϰেāĻŽ āĻāϰāĻ āĻŽāĻšাāϰ্āĻ্āϝ āĻ āĻŦāĻšুāĻŽূāϞ্āϝ āĻšāϝ়ে āĻāĻ ে।]
Q: How is 'night' described in the sonnet?
[āϏāύেāĻে āĻীāĻাāĻŦে āϰাāϤেāϰ āĻিāϤ্āϰ āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে?]
Ans. The 'Night' is described as a symbol that marks the end of life or death. It is obvious and rotatable. The imagery not only evokes a sense of melancholy but also suggests a welcome release into final repose.
[āϰাāϤ্āϰিāĻে āĻীāĻŦāύেāϰ āĻļেāώ āĻŦা āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤীāĻ āĻšিāϏেāĻŦে āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে। āĻāĻি āύিāĻļ্āĻিāϤ āĻāĻŦং āĻāĻŦāϰ্āϤāύāĻļীāϞ। āĻāĻ āĻĻৃāĻļ্āϝāĻāϞ্āĻĒāĻি āĻļুāϧুāĻŽাāϤ্āϰ āĻĻুঃāĻেāϰ āĻ
āύুāĻূāϤি āϏৃāώ্āĻি āĻāϰে āύা, āĻāĻি āĻ
āύ্āϤিāĻŽ āĻŦিāĻļ্āϰাāĻŽāĻে āϏ্āĻŦাāĻāϤ āĻাāύাāϝ়।]
Q: What imageries are used by the speaker to describe the end of life in 'Sonnet 73'?
['Sonnet 73'-āϤে āĻŦāĻ্āϤা āĻীāĻŦāύāĻāĻ্āϰেāϰ āĻ
āύ্āϤিāĻŽ āĻĒāϰ্āĻŦ āĻŦোāĻাāϤে āĻী āϧāϰāύেāϰ āĻিāϤ্āϰāĻāϞ্āĻĒ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰেāĻেāύ?]
Ans. Imageries like "black night" and "death's second self" are used to describe the end of life, evoking a sense of inevitable darkness and finality.
["āĻাāϞো āϰাāϤ্āϰি" āĻāĻŦং "āĻŽৃāϤ্āϝুāϰ āĻĻ্āĻŦিāϤীāϝ় āϏ্āĻŦāϰূāĻĒ"-āĻāϰ āĻŽāϤো āĻিāϤ্āϰāĻāϞ্āĻĒ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰে āĻীāĻŦāύেāϰ āϏāĻŽাāĻĒ্āϤি āĻŦāϰ্āĻŖāύা āĻāϰা āĻšāϝ়েāĻে, āϝা āĻ
āύিāĻŦাāϰ্āϝ āĻ
āύ্āϧāĻাāϰ āĻ āĻূāĻĄ়াāύ্āϤ āĻĒāϰিāϏāĻŽাāĻĒ্āϤিāϰ āĻ
āύুāĻূāϤি āĻাāĻিāϝ়ে āϤোāϞে।]
Q: What is the significance of "by and by" in the sonnet?
[āϏāύেāĻিāϤে "āĻŦাāĻ āĻ
্āϝাāύ্āĻĄ āĻŦাāĻ” āĻļāĻŦ্āĻĻāĻুāĻ্āĻেāϰ āϤাā§āĻĒāϰ্āϝ āĻী?]
Ans. The phrase "by and by" suggests a process of gradual decline and aging. The phrase signifies inevitable progression from twilight to black night mirroring the speaker's perception of his own ageing and approaching death.
["āĻŦাāĻ āĻ
্āϝাāύ্āĻĄ āĻŦাāĻ” āĻļāĻŦ্āĻĻāĻুāĻ্āĻāĻি āĻĻ্āĻŦাāϰা āĻŦাāϰ্āϧāĻ্āϝ āĻāĻŦং āĻ্āώāϝ়েāϰ āĻ্āϰāĻŽাāύ্āĻŦāϝ় āĻĒāĻĻ্āϧāϤিāĻে āĻŦোāĻাāύো āĻšāϝ়েāĻে। āĻŦাāĻ্āϝāĻŦāύ্āϧāĻি āĻোāϧূāϞি āĻĨেāĻে āĻাāϞো āϰাāϤ্āϰিāϰ āĻĻিāĻে āĻ
āύিāĻŦাāϰ্āϝāĻাāĻŦে āĻāĻুāϝ়াāύ āĻšāĻāϝ়াāĻে āĻŦোāĻাāϝ় āϝা āĻŦāĻ্āϤাāϰ āĻŦাāϰ্āϧāĻ্āϝ āĻেāϤāύা āĻāĻŦং āĻ
āύাāĻāϤ āĻŽৃāϤ্āϝুāĻে āĻĒ্āϰāϤিāĻĢāϞিāϤ āĻāϰে।]
Q: Describe the depth of the speaker's relationship with the beloved.
[āĻŦāĻ্āϤাāϰ āϏাāĻĨে āĻĒ্āϰিāϝ়āĻāύেāϰ āϏāĻŽ্āĻĒāϰ্āĻেāϰ āĻāĻীāϰāϤা āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker's relationship with the beloved is intimate, loving, and affectionate. The tender attitude of the poet towards his beloved marks the depth of the relationship.
[āĻĒ্āϰিāϝ়āĻāύেāϰ āϏাāĻĨে āĻŦāĻ্āϤাāϰ āϏāĻŽ্āĻĒāϰ্āĻ āĻāύিāώ্āĻ , āĻĒ্āϰেāĻŽāĻŽāϝ় āĻāĻŦং āϏ্āύেāĻšāĻĒূāϰ্āĻŖ। āĻĒ্āϰিāϝ় āĻŦ্āϝāĻ্āϤিāϰ āĻĒ্āϰāϤি āĻŦāĻ্āϤাāϰ āĻোāĻŽāϞāϤা āϏāĻŽ্āĻĒāϰ্āĻāĻিāϰ āĻāĻীāϰāϤা āύিāϰ্āϧাāϰāĻŖ āĻāϰে।]
Q: "When yellow... do hang"—What do the yellow leaves symbolize in this line?
['āϝāĻāύ āĻšāϞুāĻĻ āĻĒাāϤাāĻুāϞি āϏāĻŦ āĻāϰে āϝাāϝ় āĻŦা āĻĻু-āĻāĻāĻি āϰāϝ়ে āϝাāϝ়'—āĻĒāĻāĻ্āϤিāĻিāϤে āĻŦāϰ্āĻŖিāϤ āĻšāϞুāĻĻ āĻĒাāϤাāĻুāϞি āĻীāϏেāϰ āĻĒ্āϰāϤীāĻ?]
Ans. The "yellow leaves" symbolize the process of aging in human life which is followed by death. These 'yellow leaves' also indicate the old age of the poet.
['āĻšāϞুāĻĻ āĻĒাāϤাāĻুāϞি' āĻŦāϝ়āϏেāϰ āĻ্āϰāĻŽāĻŦৃāĻĻ্āϧিāĻে āĻĒ্āϰāϤীāĻাāϝ়িāϤ āĻāϰে āϝাāϰ āĻĒāϰে āĻŽৃāϤ্āϝু āĻāϏে। āĻšāϞুāĻĻ āĻĒাāϤাāĻুāϞি āĻāĻŦিāϰ āĻŦৃāĻĻ্āϧ āĻŦāϝ়āϏāĻেāĻ āĻŦোāĻাāϝ়।]
Q: Describe the speaker's tone in the Sonnet 73?
[āϏāύেāĻে āĻŦāĻ্āϤাāϰ āĻŽূāϞ āĻাāĻŦāĻি āĻŦāϰ্āĻŖāύা āĻāϰো?]
Ans. The speaker's tone is melancholic, reflective, and somber. Beneath this sadness, there is also a tone of deep affection and emotional intimacy.
[āĻŦāĻ্āϤাāϰ āĻাāĻŦāĻি āĻŦিāώāĻŖ্āĻŖ, āĻিāύ্āϤাāĻļীāϞ āĻāĻŦং āĻšāϤাāĻļাāĻŦ্āϝāĻ্āĻāĻ। āϝāĻĻিāĻ āĻāĻ āĻŦিāώāĻŖ্āĻŖāϤাāϰ āĻŽāϧ্āϝে āĻāĻীāϰ āĻ
āύুāϰাāĻ āĻ āĻ
āύ্āϤāϰāĻ্āĻāϤাāϰ āĻāĻŦেāĻ āĻāĻে।]
Q: What does the speaker compare himself with?
[āĻŦāĻ্āϤা āύিāĻেāϰ āϏāĻ্āĻে āĻীāϏেāϰ āϤুāϞāύা āĻāϰেāύ?]
Ans. The speaker compares himself to a tree in late autumn with yellow leaves symbolizing the later years of life when vitality is fading just as autumn precedes winter.
[āĻŦāĻ্āϤা āύিāĻেāĻে āĻļāϰāϤেāϰ āĻšāϞুāĻĻ āĻĒাāϤাāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ āϝা āĻŦাāϰ্āϧāĻ্āϝেāϰ āĻĒ্āϰāϤীāĻ āĻāĻŦং āĻীāĻŦāύেāϰ āĻĒāϰāĻŦāϰ্āϤী āĻŦāĻāϰ āĻুāϞিāĻে āĻĒ্āϰāϤীāĻাāϝ়িāϤ āĻāϰে āϝāĻāύ āϏāĻ্āϰিāϝ়āϤা āĻŽ্āϰিāϝ়āĻŽাāύ āĻšāĻŦে āϝেāĻŽāύ āĻļীāϤেāϰ āĻāĻে āĻļāϰ⧠āĻĨাāĻে।]
Q: Describe the speaker's attitude towards the beloved.
[āĻĒ্āϰিāϝ়āĻāύেāϰ āĻĒ্āϰāϤি āĻŦāĻ্āϤাāϰ āĻŽāύোāĻাāĻŦ āĻŦāϰ্āĻŖāύা āĻāϰো?]
Ans. The speaker's attitude towards the beloved is loving and affectionate. The speaker's words convey his tenderness and concern.
[āĻĒ্āϰিāϝ়āĻāύেāϰ āĻĒ্āϰāϤি āĻŦāĻ্āϤাāϰ āĻĒ্āϰেāĻŽ āĻ āĻাāϞোāĻŦাāϏাāϰ āĻ
āύুāĻূāϤি āĻŦāϰ্āϤāĻŽাāύ। āĻŦāĻ্āϤাāϰ āĻŦāĻ্āϤāĻŦ্āϝে āϤাāϰ āĻĒ্āϰāϤি āĻোāĻŽāϞāĻাāĻŦ āĻ āĻāĻĻ্āĻŦেāĻāĻĒ্āϰāĻŦāĻŖāϤা āϰāϝ়েāĻে।]
Q: What is the main argument of the poem?
[āĻāĻŦিāϤাāĻিāϤে āύিāĻšিāϤ āĻŽূāϞ āϝুāĻ্āϤিāĻি āĻী?]
Ans. The main argument of 'Sonnet-73' is that love becomes stronger as it faces the inevitability of mortality.
[āϏāύেāĻ-ā§ā§Š āĻāĻŦিāϤাāĻিāϰ āĻŽূāϞ āϝুāĻ্āϤিāĻি āĻšāϞ āĻāĻ āϝে āĻ
āĻŽোāĻ āύāĻļ্āĻŦāϰāϤাāϰ āĻŽুāĻোāĻŽুāĻি āĻĻাঁāĻĄ়িāϝ়েāĻ āĻাāϞোāĻŦাāϏা āĻĻৃāĻĸ় āĻĨেāĻে āĻĻৃāĻĸ়āϤāϰ āĻšāϝ়ে āĻāĻ ে।]
Q: How does the poem conclude?
[āĻāĻŦিāϤাāĻি āĻীāĻাāĻŦে āĻļেāώ āĻšāϝ়?]
Ans. The poem concludes with a reflective tone on mortality and the passing of time. It also emphasizes the theme of cherishing love and relationship in the face of mortality.
[āĻāĻŦিāϤাāĻি āĻļেāώ āĻšāϝ়েāĻে āύāĻļ্āĻŦāϰāϤা āĻāĻŦং āϏāĻŽāϝ়েāϰ āĻŦিāĻŦāϰ্āϤāύেāϰ āĻĒ্āϰāϤিāĻĢāϞāύেāϰ āĻাāĻŦ āĻĻিāϝ়ে। āĻāĻŦিāϤাāĻি āύāĻļ্āĻŦāϰāϤাāϰ āĻĻ্āĻŦাāϰāĻĒ্āϰাāύ্āϤে āĻāĻĒāύীāϤ āĻšāϝ়েāĻ āĻĒ্āϰেāĻŽেāϰ āĻŽোāĻšিāύীāϰূāĻĒ āĻāĻŦং āϏāĻŽ্āĻĒāϰ্āĻেāϰ āĻāĻĒāϰে āĻোāϰ āĻĻেāϝ়।]
Q: Describe the reason behind the speaker's comparison of himself to late autumn.
[āĻļāϰāϤেāϰ āĻļেāώেāϰ āĻĻিāĻেāϰ āϏāĻŽāϝ়েāϰ āϏাāĻĨে āĻŦāĻ্āϤাāϰ āύিāĻেāĻে āϤুāϞāύা āĻāϰাāϰ āĻাāϰāĻŖ āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker compares himself to a tree in autumn that has lost its leaves, symbolizing the decline of life and vitality. He wants to demonstrate his own physical age and condition.
[āĻŦāĻ্āϤা āύিāĻেāĻে āĻāĻŽāύ āĻāĻāĻি āĻļāϰāϤেāϰ āĻাāĻেāϰ āϏাāĻĨে āϤুāϞāύা āĻāϰেāύ āϝাāϰ āĻĒাāϤা āĻšাāϰিāϝ়ে āĻেāĻে, āϝা āĻীāĻŦāύ āĻ āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϰ āĻ্āώāϝ়েāϰ āĻĒ্āϰāϤীāĻ। āϤিāύি āϤাঁāϰ āύিāĻেāϰ āĻŦāϝ়āϏ āĻ āĻ
āĻŦāϏ্āĻĨাāĻে āĻĻেāĻাāϤে āĻাāύ।]
Q: Describe the poet's perspective on mortality.
[āĻŽāϰāĻŖāĻļীāϞāϤা āϏāĻŽ্āĻĒāϰ্āĻে āĻāĻŦিāϰ āĻĻৃāώ্āĻিāĻāĻ্āĻি āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The poet views mortality as an inevitable and universal fate that awaits everyone. This perspective touches on the idea that human life is controlled by natural law and not infinite. The poem makes it clear that aging and death are inevitable.
[āĻāĻŦি āĻŽāϰāĻŖāĻļীāϞāϤাāĻে āĻāĻāĻি āĻ
āĻĒ্āϰāϤিāϰোāϧ্āϝ āĻ
āĻĻৃāώ্āĻ āĻŦāϞে āĻŦāϰ্āĻŖāύা āĻāϰেāĻেāύ āϝাāϰ āĻĒ্āϰāϤীāĻ্āώা āϏāĻāϞāĻে āĻāϰāϤে āĻšāϝ়। āĻāĻ āĻĻৃāώ্āĻিāĻāĻ্āĻী āĻুঁāϝ়ে āϝাāϝ় āĻāĻ āϧাāϰāĻŖাāĻে āϝে āĻŽাāύāĻŦāĻীāĻŦāύ āĻĒ্āϰাāĻৃāϤিāĻ āύিāϝ়āĻŽ āĻĻ্āĻŦাāϰা āύিāϝ়āύ্āϤ্āϰিāϤ āĻāĻŦং āĻিāϰāĻাāϞীāύ āύāϝ়। āĻāĻŦিāϤাāĻি āĻāĻা āύিāĻļ্āĻিāϤ āĻāϰে āϝে āĻŦāϝ়āϏ āĻŦেāĻĄ়ে āϝাāĻāϝ়া āĻāĻŦং āĻŽৃāϤ্āϝু āĻ
āύিāĻŦাāϰ্āϝ।]
Q: How is youth mentioned in the poem?
[āĻāĻŦিāϤাāϝ় āϝৌāĻŦāύāĻে āĻীāĻাāĻŦে āĻāϞ্āϞেāĻ āĻāϰা āĻšāϝ়েāĻে?]
Ans. The speaker's youth is described as having been full of life and vitality. The vitality and strength of youth has been depicted in comparison with aging and mortality.
[āĻŦāĻ্āϤা āĻŦāϰ্āĻŖিāϤ āϝৌāĻŦāύেāϰ āĻŦিāĻŦāϰāĻŖāĻি āĻšāϞ āĻĒ্āϰাāĻŖāĻĒ্āϰাāĻুāϰ্āϝে āĻāϰāĻĒুāϰ। āϝৌāĻŦāύেāϰ āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāĻে āĻāĻাāύে āĻŦাāϰ্āϧāĻ্āϝ āĻāĻŦং āύāĻļ্āĻŦāϰāϤাāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰা āĻšāϝ়েāĻে।]
Q: "Which by and by black night doth take away"—What does black night refer to in the poem?
["āϤাāϰāĻĒāϰ āϧীāϰে āϧীāϰে āĻাāϞোāϰাāϤ āĻ্āϰাāϏ āĻāϰে āĻĻিāύāĻিāĻে" āĻāĻŦিāϤাāϝ় āĻŦāϰ্āĻŖিāϤ āĻাāϞো āϰাāϤ āĻĻ্āĻŦাāϰা āĻী āĻŦোāĻাāϤে āĻাāĻāϝ়া āĻšāϝ়েāĻে?]
Ans. Black night refers to the forthcoming darkness which symbolizes impending death.
[āĻাāϞো āϰাāϤ āĻĻ্āĻŦাāϰা āĻāϏāύ্āύ āĻ
āύ্āϧāĻাāϰ āĻে āĻŦোāĻাāύো āĻšāϝ়েāĻে āϝা āĻĒ্āϰāϤীāĻীāĻাāĻŦে āĻ
āύাāĻāϤ āĻŽৃāϤ্āϝুāϰ āĻāĻĨা āĻŦāϞে।]
Q: What is the tone of the poem's final couplet?
[āĻāĻŦিāϤাāϰ āĻļেāώ āĻĻুāĻāĻি āĻāϤ্āϰেāϰ āĻাāĻŦāĻি āĻী?]
Ans. The tone of the final couplet is intimate, urgent, and affectionate. It offers a note of strong love.
[āĻļেāώেāϰ āĻāϤ্āϰāĻিāϰ āϏুāϰāĻি āĻ
āύ্āϤāϰāĻ্āĻ, āĻāϰুāϰি āĻāĻŦং āϏ্āύেāĻšāĻĒূāϰ্āĻŖ। āĻāĻি āĻĻৃāĻĸ় āĻাāϞোāĻŦাāϏাāϰ āĻāĻĨা āĻŦāϞে।]
Q: Why has the poet mentioned "yellow leaves"?
[āĻŦāĻ্āϤা āĻšāϞুāĻĻ āĻĒাāϤাāϰ āĻŦāϰ্āĻŖāύা āĻেāύ āĻĻেāύ?]
Ans. "Yellow leaves" symbolize the decline and aging of the speaker. The speaker intends his readers to assume his age.
['āĻšāϞুāĻĻ āĻĒাāϤা' āĻŦāĻ্āϤাāϰ āĻ
āĻŦāĻ্āώāϝ় āĻāĻŦং āĻŦাāϰ্āϧāĻ্āϝেāϰ āĻĒ্āϰāϤীāĻ। āĻŦāĻ্āϤা āĻাāύ āϤাঁāϰ āĻĒাāĻ āĻ āϤাঁāϰ āĻŦāϝ়āϏ āϏāĻŽ্āĻŦāύ্āϧে āĻাāύুāĻ।]
Q: How has the speaker's youth been described in the poem?
[āĻāĻŦিāϤাāĻিāϤে āĻŦāĻ্āϤাāϰ āϝৌāĻŦāύেāϰ āĻŦāϰ্āĻŖāύা āĻীāĻাāĻŦে āĻĻেāĻāϝ়া āĻšāϝ়েāĻে?]
Ans. The speaker's youth is described as having been full of life and vitality. It is always shown in contrast to his present decline, emphasizing how time transforms vibrancy into fragility.
[āĻŦāĻ্āϤাāϰ āϝৌāĻŦāύ āĻীāĻŦāύ āĻāĻŦং āĻĒ্āϰাāĻŖāĻļāĻ্āϤিāϤে āĻĒāϰিāĻĒূāϰ্āĻŖ āĻিāϞ āĻŦāϞে āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻে। āĻāĻি āĻŦāĻ্āϤাāϰ āĻŦāϰ্āϤāĻŽাāύ āĻ্āώāϝ়িāώ্āĻŖুāϤাāĻে āĻŦিāĻĒāϰীāϤে āϰেāĻে āϏāĻŽāϝ় āĻীāĻাāĻŦে āĻĒ্āϰাāĻŖāĻাāĻ্āĻāϞ্āϝāĻে āĻāĻ্āĻুāϰāϤাāϝ় āĻĒāϰিāĻŦāϰ্āϤিāϤ āĻāϰে āϤাāϰ āĻāĻĒāϰ āĻোāϰ āĻĻেāϝ়।]
Q: Describe the use of imagery in the first quatrain of the sonnet.
[āϏāύেāĻেāϰ āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻে āĻŦāϰ্āĻŖিāϤ āĻিāϤ্āϰāĻāϞ্āĻĒেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The imagery used in the first quatrain is vivid and evocative, creating powerful pictures of decline and mortality.
[āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻে āĻŦāϰ্āĻŖিāϤ āĻিāϤ্āϰāĻāϞ্āĻĒāĻি āϏ্āĻĒāώ্āĻ āϝা āĻ্āώāϝ় āĻāĻŦং āĻŽৃāϤ্āϝুāϰ āĻļāĻ্āϤিāĻļাāϞী āĻিāϤ্āϰ āϤৈāϰি āĻāϰে।]
Q: What is the importance of metaphor in the sonnet?
[āϏāύেāĻে āϰূāĻĒāĻেāϰ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻুāϰুāϤ্āĻŦ āĻী?]
Ans. Metaphors are important because they compare the speaker to a tree, twilight, and glowing embers. These metaphors are crucial for conveying the speaker's aging and approaching death and for highlighting the fleeting nature of life and the enduring power of love.
[āϰূāĻĒāĻāĻুāϞি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻাāϰāĻŖ āĻāϰ āĻĻ্āĻŦাāϰা āĻŦāĻ্āϤাāĻে āĻāĻāĻি āĻাāĻ, āĻোāϧূāϞি āĻāĻŦং āĻ্āĻŦāϞāύ্āϤ āĻ
āĻ্āĻাāϰেāϰ āϏাāĻĨে āϤুāϞāύা āĻāϰা āĻšāϝ়েāĻে। āϰূāĻĒāĻāĻুāϞি āĻŦāĻ্āϤাāϰ āĻŦাāϰ্āϧāĻ্āϝ āĻ āĻ
āύাāĻāϤ āĻŽৃāϤ্āϝুāϰ āϧাāϰāĻŖাāĻিāĻে āĻāϞ্āϞেāĻāϝোāĻ্āϝāĻাāĻŦে āĻŦ্āϝাāĻ্āϝা āĻāϰে āĻāĻŦং āĻীāĻŦāύেāϰ āĻŦāĻšāĻŽাāύāϤা āĻāĻŦং āĻাāϞোāĻŦাāϏাāϰ āĻ
āϏীāĻŽ āĻļāĻ্āϤিāϰ āĻāĻĒāϰ āĻāϞোāĻāĻĒাāϤ āĻāϰে।]
Q: How is 'twilight' related to the speaker?
[āĻŦāĻ্āϤাāϰ āϏāĻ্āĻে āĻোāϧূāϞি āĻŦেāϞাāϰ āϏāĻŽ্āĻĒāϰ্āĻ āĻী?]
Ans. The speaker describes himself as in the twilight of his life, with fading vitality. He uses the metaphor of twilight to demonstrate the limitation of time.
[āĻŦāĻ্āϤা āύিāĻেāĻে āĻীāĻŦāύেāϰ āĻোāϧূāϞিāĻŦেāϞাāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ āϝāĻāύ āĻীāĻŦāύীāĻļāĻ্āϤি āύিঃāĻļেāώ āĻšāϝ়ে āĻāϏāĻে। āϤিāύি 'āĻোāϧূāϞি'āϰ āϰূāĻĒāĻāĻিāϰ āĻŽাāϧ্āϝāĻŽে āϤাāϰ āϏীāĻŽিāϤ āϏāĻŽāϝ়েāϰ āĻāĻĨা āĻŦোāĻাāϤে āĻাāύ।]
Q: How is the fire nourished? How can fire be consumed by the very thing that nourished it?
[āϝে āĻাāĻ āĻি āĻāĻুāύāĻে āĻ্āĻŦāϞāϤে āϏাāĻšাāϝ্āϝ āĻāϰে āϤাāĻে āĻāĻুāύ āĻিāĻাāĻŦে āĻ্āϰাāϏ āĻāϰে?]
Ans. The glowing of fire is a suggestive phrase which means that the fire has consumed the fuel and there is no more fuel to produce the flame. It is similar to youth time that has changed.
[āĻāĻুāύেāϰ āϞেāϞিāĻšাāύ āĻļিāĻা āĻāĻāĻি āĻāĻ্āĻিāϤāĻĒূāϰ্āĻŖ āĻŦাāĻ্āϝāĻŦāύ্āϧ āϝেāĻি āĻŦোāĻাāϝ় āϝে āĻāĻুāύ āϤাāϰ āĻ্āĻŦাāϞাāύিāĻে āĻ্āϰাāϏ āĻāϰে āĻĢেāϞেāĻে āĻāĻŦং āĻāϰ āĻ্āĻŦাāϞাāύি āĻ
āĻŦāĻļিāώ্āĻ āύেāĻ āϝা āĻĒুāύāϰাāϝ় āĻāĻুāύ āĻ্āĻŦাāϞাāϤে āĻĒাāϰে। āĻāĻি āϝৌāĻŦāύেāϰ āϏāĻŽাāϰ্āĻĨāĻ āϝা āĻāĻāύ āĻĒāϰিāĻŦāϰ্āϤিāϤ āĻšāϝ়েāĻে।]
Q: What is the description of the speaker's message to the beloved?
[āĻĒ্āϰিāϝ়āĻāύেāϰ āĻাāĻে āĻĻেāĻāϝ়া āĻŦāĻ্āϤাāϰ āĻŦাāϰ্āϤাāĻি āĻŦāϰ্āĻŖāύা āĻāϰো।]
Ans. The speaker's message is to appreciate the time they have together. He also urges him to love more intensely.
[āĻŦāĻ্āϤাāϰ āĻŦাāϰ্āϤা āĻšāϞ āĻĻুāĻāύেāϰ āĻāĻāϏাāĻĨে āĻাāĻাāύো āϏāĻŽāϝ়েāϰ āĻŽāϰ্āĻŽ āĻāĻĒāϞāĻŦ্āϧি āĻāϰা। āϤিāύি āϤাঁāĻে āĻāϰāĻ āϤীāĻŦ্āϰāĻাāĻŦে āĻাāϞোāĻŦাāϏāϤে āĻŦāϞেāύ।]
Q: What does the speaker in Sonnet 73 compare himself to and what do these comparisons share?
[āϏāύেāĻ-ā§ā§Š āĻāĻŦিāϤাāϝ় āĻŦāĻ্āϤা āύিāĻেāĻে āĻীāϏেāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāύ āĻāĻŦং āĻāĻ āϤুāϞāύা āĻĨেāĻে āĻী āĻŦোāĻা āϝাāϝ়?]
Ans. In Sonnet 73, the speaker compares himself to the yellow leaves of autumn, ruined church, twilight, sunset and a glowing ember of ashes. These comparisons signify his old age and gradual decay with time leading him towards the culmination of life's journey, i.e. death.
[āϏāύেāĻ-ā§ā§Š āĻāĻŦিāϤাāϝ় āĻŦāĻ্āϤা āύিāĻেāĻে āĻļāϰāϤেāϰ āĻšāϞুāĻĻ āϰāĻা āĻĒাāϤাāĻুāϞিāϰ āϏāĻ্āĻে āϤুāϞāύা āĻāϰেāĻেāύ, āϤুāϞāύা āĻāϰেāĻেāύ āĻĒāϰিāϤ্āϝāĻ্āϤ āĻীāϰ্āĻাāϰ, āĻোāϧূāϞি, āϏূāϰ্āϝাāϏ্āϤেāϰ āĻāĻŦং āĻ্āĻŦāϞāύ্āϤ āĻ
āĻ্āĻাāϰেāϰ āϏāĻ্āĻে। āĻāĻ āϤুāϞāύাāĻুāϞি āϤাঁāϰ āĻŦৃāĻĻ্āϧাāĻŦāϏ্āĻĨাāĻে āĻāĻŦং āϏāĻŽāϝ়েāϰ āϏāĻ্āĻে āϏāĻ্āĻে āĻāϏা āĻ্āώāϝ়āĻে āĻŦোāĻাāϝ় āϝা āϤাঁāĻে āϤাঁāϰ āĻীāĻŦāύেāϰ āĻূāĻĄ়াāύ্āϤ āϝাāϤ্āϰা āĻ
āϰ্āĻĨাā§ āĻŽৃāϤ্āϝুāϰ āĻĻিāĻে āĻāĻিāϝ়ে āύিāϝ়ে āϝাāϝ়।]
Q: What is your idea about the poet's emotional state while writing the poem?
[āϤোāĻŽাāϰ āĻŽāϤে āϏāύেāĻ-ā§ā§Š āĻāĻŦিāϤাāĻি āϰāĻāύাāϰ āϏāĻŽāϝ় āĻāĻŦিāϰ āĻŽাāύāϏিāĻ āĻ
āĻŦāϏ্āĻĨা āĻী āĻĒ্āϰāĻাāϰ āĻিāϞ?]
Ans. The poet's emotional state is melancholic, reflective and introspective, with a sense of acceptance and resignation while writing the poem.
[āĻāĻŦি āϝāĻāύ āĻāĻŦিāϤাāĻি āϞেāĻেāύ āϤāĻāύ āϤিāύি āĻিāϞেāύ āĻŽাāύāϏিāĻāĻাāĻŦে āĻŦিāώāĻŖ্āĻŖ, āĻিāύ্āϤাāĻļীāϞ āĻāĻŦং āĻāϤ্āĻŽāĻĻāϰ্āĻļী āϝাāϰ āĻŽāϧ্āϝে āĻ
āϏāĻšাāϝ়āϤা āĻāĻŦং āϤাāϰ āϏ্āĻŦীāĻৃāϤিāϰ āĻŦিāώāϝ়āĻি āĻŦāϰ্āϤāĻŽাāύ āĻিāϞ।]
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