B. A 5th Semester MJC9 Question Paper 2026,MJ9 QUESTION PAPER BANKURA UNIVERSITY

B.A. 5th Semester English Exam Paper 2026

B.A. 5th Semester (Major) Examination, 2026

ENGLISH

Course ID: 50311 | Course Code: A/ENG/501/MJC-9

British Literature: The Early 20th Century (NEP)

Time: 2 Hours Full Marks: 40
(1×10=10) 1. Answer any one of the following questions:
  • a) Discuss A Portrait of the Artist as a Young Man as a Künstlerroman.
  • b) Examine the recurrent images and symbols in A Portrait of the Artist as a Young Man.
  • c) Elaborate on the central theme of love and marriage in Shaw's Candida.
  • d) Discuss Shaw's Candida as a domestic comedy.
(1×10=10) 2. Answer any one of the following questions:
  • a) Analyse Eliot's use of imagery in 'The Love Song of J. Alfred Prufrock'.
  • b) Comment on the theme of individuality and urban anonymity in 'Street Haunting: A London Adventure'.
(2×5=10) 3. Write short notes on any two of the following:
  • a) John Millington Synge
  • b) A Passage to India
  • c) Psychological novel
  • d) British poets of the 1930s
(5×2=10) 4. Answer any five of the following questions:
  • a) Mention two biblical allusions used in the poem 'The Love Song of J. Alfred Prufrock'.
  • b) "A mind Michael Angelo knew / That can pierce the clouds, / Or inspired by frenzy / Shake the dead in their shrouds;" — Bring out the significance of the above lines.
  • c) When and why does the narrator go out into the streets in 'Street Haunting: A London Adventure'?
  • d) What do the mermaids symbolise in 'The Love Song of J. Alfred Prufrock'?
  • e) "The nineteenth autumn has come upon me / Since I first made my count;" — Briefly point out the context.
  • f) What is the significance of the two brushes of Dante?
  • g) "Tower of Ivory, they used to say, House of Gold!" — Bring out the significance of the phrases "Tower of Ivory" and "House of Gold" here.
  • h) What is "Prossy's complaint"?
  • i) "Candida here, and Candida there, and Candida everywhere!" — What makes the speaker say this?
  • j) What, according to Stephen, is the difference between "static" and "kinetic" emotions in art?

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